Shakespeare's TragediesRoutledge, 11 paź 2013 - 280 First published in 1951. |
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... in the light of Aristotle's precepts as a fine example of catharsis, the tragic hero, the reversal of the situation, the recognition, and so forth; or, speculating on the use of the balcony or inner stage, as a problem in Jacobean ...
... in the light of Aristotle's precepts as a fine example of catharsis, the tragic hero, the reversal of the situation, the recognition, and so forth; or, speculating on the use of the balcony or inner stage, as a problem in Jacobean ...
Strona 10
... inner stage , as a problem in Jacobean stagecraft ; or as a comment on Shakespeare's times ; or as a chapter in his ... stage play to be produced before a modern audience . All or any of these ways of approach may aid in the final and ...
... inner stage , as a problem in Jacobean stagecraft ; or as a comment on Shakespeare's times ; or as a chapter in his ... stage play to be produced before a modern audience . All or any of these ways of approach may aid in the final and ...
Strona 12
... in one place and each a unity in itself . Elizabethan drama was more fluid . Having a multiple stage where action could alternate between main stage , inner stage and upper stage , the dramatist was able to show many episodes , one ...
... in one place and each a unity in itself . Elizabethan drama was more fluid . Having a multiple stage where action could alternate between main stage , inner stage and upper stage , the dramatist was able to show many episodes , one ...
Strona 14
... in disaster , or to use a phrase I once heard on the lips of a sailor : ' blood for supper ' . Most Elizabethan tragedies end with the stage cluttered with corpses . Shakespeare is fairly modest in his holocausts . In Lear , his most ...
... in disaster , or to use a phrase I once heard on the lips of a sailor : ' blood for supper ' . Most Elizabethan tragedies end with the stage cluttered with corpses . Shakespeare is fairly modest in his holocausts . In Lear , his most ...
Strona 21
... show his genius in the greatest test of all : selection and compression . In real life , our sufferings , however devastating , are mercifully allayed in the routine of existence . The emotions aroused by deep tragedy are something ...
... show his genius in the greatest test of all : selection and compression . In real life , our sufferings , however devastating , are mercifully allayed in the routine of existence . The emotions aroused by deep tragedy are something ...
Spis treści
9 | |
30 | |
ROMEO AND JULIET | 47 |
JULIUS CAESAR | 65 |
HAMLET | 88 |
TROYLUS AND CRESSIDA III | 111 |
OTHELLO | 131 |
KING LEAR | 158 |
MACBETH | 184 |
ANTONY AND CLEOPATRA | 203 |
CORIOLANUS | 227 |
TIMON OF ATHENS | 253 |
EPILOGUE | 271 |
INDEX | 275 |
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Achilles action already answer Antony appears asks audience becomes begins blood breaks bring Brutus Caesar called Capulet Cassio cause character Cleopatra close comes common Cordelia Coriolanus critics curtains dead death deep Desdemona direction drama effect Elizabethan emotions enters eyes father feeling final follows fortunes friends give Gloucester goes Hamlet hand hath heart honour Iago interest Juliet kill kind King Lady later Lear least leaving less lines live look Lord Macbeth matter means mind moral mother moved murder nature never night once Othello passes person play present reading realize reason replies returns reveals revenge Rome Romeo scene sense Shakespeare shows soliloquy speak speech stage stand story tell thee thing thou thought Timon Titus tragedy Troylus true turns usually wife young