Shakespeare's TragediesRoutledge, 11 paź 2013 - 280 First published in 1951. G B Harrison here recognizes that Shakespeare's tragedies were intended for performance in a theatre and that the playwright's conspicuous gift among his contemporaries was a sympathy for joy and sorrow, pity and terror, and right and wrong of his people. The plays covered are: Titus Andronicus, Romeo and Juliet, Julius Caesar, Hamlet, Troilus and Cressida, Othello, King Lear, Macbeth, Antony and Cleopatra, Coriolanus and Timon of Athens. |
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Strona 14
... dead hero's tomb . Our immediate concern is with two matters : what did the word mean to Shakespeare's contemporaries , and what , if anything , does the word mean now ? What , in a word , is tragedy ? To Shakespeare's contemporaries ...
... dead hero's tomb . Our immediate concern is with two matters : what did the word mean to Shakespeare's contemporaries , and what , if anything , does the word mean now ? What , in a word , is tragedy ? To Shakespeare's contemporaries ...
Strona 27
... 1 Lest any critic or scholar should feel affronted , I hasten to plead guilty of having , at one time or another , committed all these offences . on life , and not dead matter to be anatomized. 27 SHAKESPEAREAN TRAGEDY.
... 1 Lest any critic or scholar should feel affronted , I hasten to plead guilty of having , at one time or another , committed all these offences . on life , and not dead matter to be anatomized. 27 SHAKESPEAREAN TRAGEDY.
Strona 28
G B Harrison. on life , and not dead matter to be anatomized and dissected by specialists . The Shakespearean critic of to - day needs certain equipment . In the first place he must be something of a scholar . Shakespeare's greatest work ...
G B Harrison. on life , and not dead matter to be anatomized and dissected by specialists . The Shakespearean critic of to - day needs certain equipment . In the first place he must be something of a scholar . Shakespeare's greatest work ...
Strona 32
... dead son - the twenty - first of his twenty - five who have died for Rome . Lucius , as senior survivor , claims a victim from among the prisoners to be sacrificed to the ghosts of his brothers 32 SHAKESPEARE'S TRAGEDIES.
... dead son - the twenty - first of his twenty - five who have died for Rome . Lucius , as senior survivor , claims a victim from among the prisoners to be sacrificed to the ghosts of his brothers 32 SHAKESPEARE'S TRAGEDIES.
Strona 40
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Osiągnięto limit wyświetleń tej książki.
Spis treści
9 | |
30 | |
ROMEO AND JULIET | 47 |
JULIUS CAESAR | 65 |
HAMLET | 88 |
TROYLUS AND CRESSIDA III | 111 |
OTHELLO | 131 |
KING LEAR | 158 |
MACBETH | 184 |
ANTONY AND CLEOPATRA | 203 |
CORIOLANUS | 227 |
TIMON OF ATHENS | 253 |
EPILOGUE | 271 |
INDEX | 275 |
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Achilles action already answer Antony appears asks audience becomes begins blood breaks bring Brutus Caesar called Capulet Cassio cause character Cleopatra close comes common Cordelia Coriolanus critics curtains dead death deep Desdemona direction drama effect Elizabethan emotions enters eyes father feeling final follows fortunes friends give Gloucester goes Hamlet hand hath heart honour Iago interest Juliet kill kind King Lady later Lear least leaving less lines live look Lord Macbeth matter means mind moral mother moved murder nature never night once Othello passes person play present reading realize reason replies returns reveals revenge Rome Romeo scene sense Shakespeare shows soliloquy speak speech stage stand story tell thee thing thou thought Timon Titus tragedy Troylus true turns usually wife young