Shakespeare's TragediesRoutledge, 11 paź 2013 - 280 First published in 1951. |
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Strona 32
... Aaron the Moor , and others , as many as can be . They set down the coffin , and Titus speaks . Against this effective setting , Titus Andronicus makes his speech of salutation to his fatherland and farewell to his dead son - the twenty ...
... Aaron the Moor , and others , as many as can be . They set down the coffin , and Titus speaks . Against this effective setting , Titus Andronicus makes his speech of salutation to his fatherland and farewell to his dead son - the twenty ...
Strona 33
... line 233 , A long flourish till they come down , and line 298 , the Emperor aloft with Tamora ... I have followed the action as directed in the accepted texts . two sons , and Aaron the Moor . They now. 33 TITUS ANDRONICUS.
... line 233 , A long flourish till they come down , and line 298 , the Emperor aloft with Tamora ... I have followed the action as directed in the accepted texts . two sons , and Aaron the Moor . They now. 33 TITUS ANDRONICUS.
Strona 34
G B Harrison. two sons , and Aaron the Moor . They now appear on the upper stage whence Saturninus discards Titus and with a sneer relinquishes his short - lived claim on Lavinia . Then , turning to Tamora , he declares that he will ...
G B Harrison. two sons , and Aaron the Moor . They now appear on the upper stage whence Saturninus discards Titus and with a sneer relinquishes his short - lived claim on Lavinia . Then , turning to Tamora , he declares that he will ...
Strona 35
... Aaron the Moor ; he is consistently silent . Titus begins as a ferocious general , the grimmest of old Roman disciplinarians , who kills a son as readily as one would swat a fly , but before the Act is over he has degenerated into a ...
... Aaron the Moor ; he is consistently silent . Titus begins as a ferocious general , the grimmest of old Roman disciplinarians , who kills a son as readily as one would swat a fly , but before the Act is over he has degenerated into a ...
Strona 36
... Aaron the Moor is content with a half share in Tamora's favours so long as he can work mischief . The opportunity soon comes . Tamora's two sons are quarrelling and prepared even to kill each other for the possession of Lavinia . Aaron ...
... Aaron the Moor is content with a half share in Tamora's favours so long as he can work mischief . The opportunity soon comes . Tamora's two sons are quarrelling and prepared even to kill each other for the possession of Lavinia . Aaron ...
Spis treści
9 | |
30 | |
ROMEO AND JULIET | 47 |
JULIUS CAESAR | 65 |
HAMLET | 88 |
TROYLUS AND CRESSIDA III | 111 |
OTHELLO | 131 |
KING LEAR | 158 |
MACBETH | 184 |
ANTONY AND CLEOPATRA | 203 |
CORIOLANUS | 227 |
TIMON OF ATHENS | 253 |
EPILOGUE | 271 |
INDEX | 275 |
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Achilles action already answer Antony appears asks audience becomes begins blood breaks bring Brutus Caesar called Capulet Cassio cause character Cleopatra close comes common Cordelia Coriolanus critics curtains dead death deep Desdemona direction drama effect Elizabethan emotions enters eyes father feeling final follows fortunes friends give Gloucester goes Hamlet hand hath heart honour Iago interest Juliet kill kind King Lady later Lear least leaving less lines live look Lord Macbeth matter means mind moral mother moved murder nature never night once Othello passes person play present reading realize reason replies returns reveals revenge Rome Romeo scene sense Shakespeare shows soliloquy speak speech stage stand story tell thee thing thou thought Timon Titus tragedy Troylus true turns usually wife young