Shakespeare's TragediesRoutledge, 11 paź 2013 - 280 First published in 1951. G B Harrison here recognizes that Shakespeare's tragedies were intended for performance in a theatre and that the playwright's conspicuous gift among his contemporaries was a sympathy for joy and sorrow, pity and terror, and right and wrong of his people. The plays covered are: Titus Andronicus, Romeo and Juliet, Julius Caesar, Hamlet, Troilus and Cressida, Othello, King Lear, Macbeth, Antony and Cleopatra, Coriolanus and Timon of Athens. |
Z wnętrza książki
Wyniki 1 - 5 z 24
Strona
... fine example of catharsis, the tragic hero, the reversal of the situation, the recognition, and so forth; or, speculating on the use of the balcony or inner stage, as a problem in Jacobean stagecraft; or as a comment on Shakespeare's ...
... fine example of catharsis, the tragic hero, the reversal of the situation, the recognition, and so forth; or, speculating on the use of the balcony or inner stage, as a problem in Jacobean stagecraft; or as a comment on Shakespeare's ...
Strona 10
... fine example of catharsis , the tragic hero , the reversal of the situation , the recognition , and so forth ; or , speculating on the use of the balcony or inner stage , as a problem in Jacobean stagecraft ; or as a comment on ...
... fine example of catharsis , the tragic hero , the reversal of the situation , the recognition , and so forth ; or , speculating on the use of the balcony or inner stage , as a problem in Jacobean stagecraft ; or as a comment on ...
Strona 20
... fine poetry ( which is , incidentally , confined to less than half a dozen passages ) , it is again the story of a common problem , especially to academic persons . Professors , it is true , do not often solemnly conjure up the Devil in ...
... fine poetry ( which is , incidentally , confined to less than half a dozen passages ) , it is again the story of a common problem , especially to academic persons . Professors , it is true , do not often solemnly conjure up the Devil in ...
Strona 28
... and more critical of himself and less willing to commit finally to paper his own fine thoughts . To my generation the best of his work creates that kind of despair which an earlier generation felt when 28 SHAKESPEARE'S TRAGEDIES.
... and more critical of himself and less willing to commit finally to paper his own fine thoughts . To my generation the best of his work creates that kind of despair which an earlier generation felt when 28 SHAKESPEARE'S TRAGEDIES.
Strona 57
Osiągnięto limit wyświetleń tej książki.
Osiągnięto limit wyświetleń tej książki.
Spis treści
9 | |
30 | |
ROMEO AND JULIET | 47 |
JULIUS CAESAR | 65 |
HAMLET | 88 |
TROYLUS AND CRESSIDA III | 111 |
OTHELLO | 131 |
KING LEAR | 158 |
MACBETH | 184 |
ANTONY AND CLEOPATRA | 203 |
CORIOLANUS | 227 |
TIMON OF ATHENS | 253 |
EPILOGUE | 271 |
INDEX | 275 |
Inne wydania - Wyświetl wszystko
Kluczowe wyrazy i wyrażenia
Achilles action already answer Antony appears asks audience becomes begins blood breaks bring Brutus Caesar called Capulet Cassio cause character Cleopatra close comes common Cordelia Coriolanus critics curtains dead death deep Desdemona direction drama effect Elizabethan emotions enters eyes father feeling final follows fortunes friends give Gloucester goes Hamlet hand hath heart honour Iago interest Juliet kill kind King Lady later Lear least leaving less lines live look Lord Macbeth matter means mind moral mother moved murder nature never night once Othello passes person play present reading realize reason replies returns reveals revenge Rome Romeo scene sense Shakespeare shows soliloquy speak speech stage stand story tell thee thing thou thought Timon Titus tragedy Troylus true turns usually wife young