Shakespeare's TragediesRoutledge, 11 paź 2013 - 280 First published in 1951. G B Harrison here recognizes that Shakespeare's tragedies were intended for performance in a theatre and that the playwright's conspicuous gift among his contemporaries was a sympathy for joy and sorrow, pity and terror, and right and wrong of his people. The plays covered are: Titus Andronicus, Romeo and Juliet, Julius Caesar, Hamlet, Troilus and Cressida, Othello, King Lear, Macbeth, Antony and Cleopatra, Coriolanus and Timon of Athens. |
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Strona 34
... find a day to massacre them all , And raze their faction , and their family , The cruel father , and his traitorous sons , To whom I sued for my dear son's life . And make them know what ' tis to let a Queen Kneel in the streets , and ...
... find a day to massacre them all , And raze their faction , and their family , The cruel father , and his traitorous sons , To whom I sued for my dear son's life . And make them know what ' tis to let a Queen Kneel in the streets , and ...
Strona 36
... find the game . And now things begin to happen . Aaron enters clutching a bag of gold , which he plants in the ground . Tamora runs in and joins him , eager to take advantage of the shade and seclusion , but Aaron has other immediate ...
... find the game . And now things begin to happen . Aaron enters clutching a bag of gold , which he plants in the ground . Tamora runs in and joins him , eager to take advantage of the shade and seclusion , but Aaron has other immediate ...
Strona 37
... find her Moor . Aaron then returns with Titus ' sons , Quintus and Martius . He shows them the pit and , in looking over the edge , Martius falls in upon the bloody body . While from below he is expressing his stunned horror , Aaron ...
... find her Moor . Aaron then returns with Titus ' sons , Quintus and Martius . He shows them the pit and , in looking over the edge , Martius falls in upon the bloody body . While from below he is expressing his stunned horror , Aaron ...
Strona 38
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Strona 39
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Spis treści
9 | |
30 | |
ROMEO AND JULIET | 47 |
JULIUS CAESAR | 65 |
HAMLET | 88 |
TROYLUS AND CRESSIDA III | 111 |
OTHELLO | 131 |
KING LEAR | 158 |
MACBETH | 184 |
ANTONY AND CLEOPATRA | 203 |
CORIOLANUS | 227 |
TIMON OF ATHENS | 253 |
EPILOGUE | 271 |
INDEX | 275 |
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Achilles action already answer Antony appears asks audience becomes begins blood breaks bring Brutus Caesar called Capulet Cassio cause character Cleopatra close comes common Cordelia Coriolanus critics curtains dead death deep Desdemona direction drama effect Elizabethan emotions enters eyes father feeling final follows fortunes friends give Gloucester goes Hamlet hand hath heart honour Iago interest Juliet kill kind King Lady later Lear least leaving less lines live look Lord Macbeth matter means mind moral mother moved murder nature never night once Othello passes person play present reading realize reason replies returns reveals revenge Rome Romeo scene sense Shakespeare shows soliloquy speak speech stage stand story tell thee thing thou thought Timon Titus tragedy Troylus true turns usually wife young