The Works of Sir Joshua Reynolds, Knight ... Containing His Discourses, Idlers, A Journey to Flanders and Holland, and His Commentary on Du Fresnoy's Art of Painting, Tom 2T. Cadell, jun. and W. Davies, 1798 |
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Strona 11
... principles of Sculpture are comprised in those of Painting . However , I wish now to make some remarks with particular relation to Sculpture ; to consider wherein 6 Sculpture Has but one style Its objects, form, character Ineffectual ...
... principles of Sculpture are comprised in those of Painting . However , I wish now to make some remarks with particular relation to Sculpture ; to consider wherein 6 Sculpture Has but one style Its objects, form, character Ineffectual ...
Strona 12
... principles and those of Painting agree or differ ; what is within its power of performing , and what it is vain or improper to attempt ; that it may be clearly and distinctly known what ought to be the great purpose of the Sculptor's ...
... principles and those of Painting agree or differ ; what is within its power of performing , and what it is vain or improper to attempt ; that it may be clearly and distinctly known what ought to be the great purpose of the Sculptor's ...
Strona 25
... principles , yet in the detail , or what may be called the by - laws of each art , there seems to be no longer any connection between them . The different materials upon which those two arts exert their powers , must infallibly create a ...
... principles , yet in the detail , or what may be called the by - laws of each art , there seems to be no longer any connection between them . The different materials upon which those two arts exert their powers , must infallibly create a ...
Strona 34
... principles ; but as the marble has no colour , it is the composition itself that must give it its light and shadow . The ancient Sculptors could not borrow this advantage from their Pain- ters , for this was an art with which they ...
... principles ; but as the marble has no colour , it is the composition itself that must give it its light and shadow . The ancient Sculptors could not borrow this advantage from their Pain- ters , for this was an art with which they ...
Strona 36
... principles of equity and gratitude , that as he has received great pleasure from the contemplation of the fashions of dress of former ages , he wishes to give the same satisfaction to future Antiquaries : yet , me- thinks pictures of an ...
... principles of equity and gratitude , that as he has received great pleasure from the contemplation of the fashions of dress of former ages , he wishes to give the same satisfaction to future Antiquaries : yet , me- thinks pictures of an ...
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Academy acquired admirable advantage altar AMSTER angels ANTWERP appears artist attention attitude beauty Brussels Carlo Maratti certainly character Christ church Claude Lorrain colouring composition considered Correggio countenance criticism defect degree dignity DISCOURSE Domenichino Domenico Feti DORP drapery drawing drawn dress DUSSEL Dutch effect engraved excellence expression figure finished Gainsborough genius GHENT give grace grandeur habit hand head idea imagination imitation invention Jan Steen Jordaens kind labour landscapes light and shadow likewise look Luca Giordano Magdalen manner Masaccio mass of light master means MECHLIN merit Michael Angelo mind nature never object observed ornament painted painter Paolo Veronese perfect perhaps picture of Rubens Pieta Poetry portrait possessed principles produced racter Raffaelle reason RECOLLETS Rembrandt represented Rubens's Saint Sculpture seen Sergius Paulus shew spectator Steen Student style taste Teniers thing tion Titian truth ture VANDER Vandyck Virgin Weeninx whole woman