Trinity and Incarnation in Anglo-Saxon Art and ThoughtCambridge University Press, 10 kwi 1997 - 221 This book is a study of the theology of the Trinity as expressed in the literature and art of the late Anglo-Saxon period. It examines the meaning of the representions of the Trinity in tenth- and eleventh-century English manuscripts and their relationship both to Anglo-Saxon theology and to earlier debates about the legitimacy of representations of the divine. The book's unifying theme is that of the image, and illustrations of many of the images discussed are provided.This book will be of interest to art historians, theologians and literary scholars alike. |
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Spis treści
If anyone wishes to be saved | 29 |
God made visible | 54 |
Signs and images | 77 |
God in history | 99 |
Christ the icon of God | 120 |
Symbols of the divine | 143 |
Art prayer and the vision of God | 169 |
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æfre Ælfric Æthelwold almighty angels Anglo-Saxon Manuscripts Apoc Arenberg artist ASPR Augustine baptism Bede Benedictional Bethurum Blickling Homilies British Library Bury Psalter canon tables Carolingian CH I.xx Christ Christ's divine Christian Church contemplation creation Creed Crucifixion Crucifixion Iconography cwæð ðam Deshman Deus divine nature drawing Dunstan ealle Elfwine enthroned eternal Fæder Father Filius glory God the Father God's Godden Godes Godhead Grimbald Gospels Halga halgan heaven Holy Spirit Homeliae human nature Hurst Ibid Incarnation Isaiah lamb late Anglo-Saxon Libri Carolini Lord mandorla Mary Matter and Ripberger Ohlgren Old English Old Testament painting Paschasius Radbertus Pater Pope prayer Prayerbook Psalm quod Regularis concordia representations reprod right hand saints says scene sermon St John St John's Gospel symbols Textual Illustration things Thorpe three persons Tiberius Tiberius Psalter trans Trinity Utrecht Psalter Virgin Wisdom Word Wulfstan þæs þæt þam þurh