Polish Postcommunist Cinema: From Pavement LevelP. Lang, 2007 - 299 This book covers the history of Polish cinema from 1989 up to the present in a broad political and cultural context, looking at both the film industry and film artistry. It considers the main ideas behind the institutional changes in the Polish film industry after the collapse of communism and assesses how these ideas were implemented. In discussing artistry, the focus is on the genres which dominated the Polish cinematic landscape after 1989 and the most important directors. |
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actors Adam amongst Andrzej Wajda artists audience biopics Bogusław Linda Bohun Cezary Pazura Chopin Cinema of Moral comedy communism communist contemporary conveyed Cossacks critics depicted directed director Dogs example father female Fire and Sword gangster film genre Gliński Helena heritage cinema heritage films Hoffman identity Jan Jakub Kolski Janicka Jerzy Hoffman Jerzy Stuhr Józef Juliusz Machulski Kędzierzawska Kieślowski Kiler Kino Kolski's films Koterski Krzysztof Krzysztof Kieślowski literary lives Łukasz Machulski Maciej main character male Marek Marek Kondrat Michał Moral Concern Moreover mother narrative Nikifor Pan Tadeusz Pasikowski Piotr played Poland Poles police police/gangster Polish cinema Polish culture Polish film industry Polish filmmakers Polish heritage films Polish postcommunist cinema political Popielawy portrayed protagonist reality represented Robert Gliński role romantic Rywin Sara Skrzetuski Sobolewski social Solidarity story style success Superproduction television Telimena Tereska unlike viewers Wojaczek Wojciech woman women women's cinema Wylężałek young