Hitchcock's Stars: Alfred Hitchcock and the Hollywood Studio SystemRowman & Littlefield, 14 cze 2023 - 247 Although he was a visual stylist who once referred to actors as cattle, Alfred Hitchcock also had a remarkable talent for innovative and creative casting choices. The director launched the careers of several actors and completely changed the trajectory of others, many of whom created some of the most iconic screen performances in history. However, Hitchcock’s ability to fit his leading men and women into just the right parts has been a largely overlooked aspect of his filmmaking skills. In Hitchcock’s Stars: Alfred Hitchcock and the Hollywood Studio System, Lesley L. Coffin looks at how the director made the most of the actors who were at his disposal for several decades. From his first American production in 1940 to his final feature in 1976, Hitchcock’s films were examples of creative casting that strayed far from the norm during the structured Hollywood star system. Rather than examining the cinematic aspects of his work, this book explores the collaboration the director engaged in with some of the most |
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... quality that made Leigh so ideally suited for the role of Scarlet O'Hara was the spitfire tenacity she projected from her first moments on-screen. She dominates all characters, especially the men, from start to finish, and while it ...
... quality that made Leigh so ideally suited for the role of Scarlet O'Hara was the spitfire tenacity she projected from her first moments on-screen. She dominates all characters, especially the men, from start to finish, and while it ...
Strona 3
Alfred Hitchcock and the Hollywood Studio System Lesley L Coffin. resiliency an admirable quality and made her identifiable to female moviegoers during the Great Depression. Leigh played on the fighting spirit she easily projected in ...
Alfred Hitchcock and the Hollywood Studio System Lesley L Coffin. resiliency an admirable quality and made her identifiable to female moviegoers during the Great Depression. Leigh played on the fighting spirit she easily projected in ...
Strona 5
... quality Selznick wanted to capture in his Mrs. De Winter. He would turn his find into the star he believed she had the potential to be. Selznick brought her screen test to Hitchcock, stating the insecurity she projected was precisely ...
... quality Selznick wanted to capture in his Mrs. De Winter. He would turn his find into the star he believed she had the potential to be. Selznick brought her screen test to Hitchcock, stating the insecurity she projected was precisely ...
Strona 7
... quality, were transformed to appear almost masculine, adding to Hitchcock's insinuation that Mrs. Danvers was a lesbian who tortured Fontaine out of an obsessive loyalty to first wife Rebecca. Hitchcock also instructed the actress to ...
... quality, were transformed to appear almost masculine, adding to Hitchcock's insinuation that Mrs. Danvers was a lesbian who tortured Fontaine out of an obsessive loyalty to first wife Rebecca. Hitchcock also instructed the actress to ...
Strona 14
... quality McCrea did have that became signature to him was a sincerity and trust with his audiences. The sincerity of an actor is rarely addressed as it seems such a natural characteristic, but in the films of Hitchcock it is especially ...
... quality McCrea did have that became signature to him was a sincerity and trust with his audiences. The sincerity of an actor is rarely addressed as it seems such a natural characteristic, but in the films of Hitchcock it is especially ...
Spis treści
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13 | |
20 | |
26 | |
34 | |
40 | |
Ch07 Lifeboat | 48 |
Ch08 Spellbound | 54 |
Ch18 To Catch a Thief | 109 |
Ch19 The Trouble with Harry | 114 |
Ch20 The Man Who Knew Too Much | 121 |
Ch21 The Wrong Man | 126 |
Ch22 Vertigo | 133 |
Ch23 North by Northwest | 140 |
Ch24 Psycho | 147 |
Ch25 The Birds | 154 |
Ch09 Notorious | 59 |
Ch10 The Paradine Case | 65 |
Ch11 Rope | 70 |
Ch12 Under Capricorn | 77 |
Ch13 Stage Fright | 83 |
Ch14 Strangers on a Train | 88 |
Ch15 I Confess | 94 |
Ch16 Dial M for Murder | 100 |
Ch17 Rear Window | 105 |
Ch26 Marnie | 163 |
Ch27 Torn Curtain | 174 |
Ch28 Family Plot | 182 |
Hitchcocks Influence | 191 |
Notes | 195 |
Filmography | 216 |
Index | 225 |
About the Author | 231 |
Inne wydania - Wyświetl wszystko
Hitchcock's Stars: Alfred Hitchcock and the Hollywood Studio System Lesley L Coffin Ograniczony podgląd - 2023 |
Hitchcock's Stars: Alfred Hitchcock and the Hollywood Studio System Lesley L. Coffin Podgląd niedostępny - 2017 |
Hitchcock's Stars: Alfred Hitchcock and the Hollywood Studio System Lesley L. Coffin Podgląd niedostępny - 2014 |
Kluczowe wyrazy i wyrażenia
actors actress Alfred Hitchcock Alfred Hitchcock Primary Alfred Hitchcock Writer appear Arts at Lincoln audience’s audiences Bankhead Birds blonde Capricorn career Cary Grant character comedy considered costar critics Cummings Dern despite Dial Mfor Murder Donald Spoto film’s Fonda Fontaine’s François Truffaut girl Grace Kelly Granger Gregory Peck Helen G Hitch Hitchcock film Hitchcock New York Hitchcock Primary Cast Hitchcock wanted Hollywood image Ingrid Bergman insisted interview James Stewart Jimmy Stewart Joan Fontaine Kelly’s Leading Ladies Leigh Lincoln Center Lombard love MacLaine Marnie Miles Montgomery Clift movie never Newman North by Northwest Notorious Novak ofthe Olivier on-screen Paradine Performing Arts Perkins personality Photofest played Pleshette Psycho quality Rear Window Rebecca role scene Scott screen seemed Selznick Shadow ofa Doubt Simon & Schuster star story studio Suspicion Teresa Wright theater thriller Tippi Hedren Torn Curtain Trouble with Harry Uncle Charlie Universal Pictures Vera Miles Vertigo villain Warner Bros woman York Public Library