Poetry's Touch: On Lyric Address

Przednia okładka
Cornell University Press, 2003 - 180
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To whom does a poem speak? Do poems really communicate with those they address? Is reading poems like overhearing? Like intimate conversation? Like performing a script? William Waters pursues these questions by closely reading a selection of poems that say "you" to a human being: to the reader, to the beloved, or to the dead. In any account of reading lyric poetry, Waters argues, there will be places where the participant roles of speaker, intended hearer, and bystander melt together or away; these are moments of wonder.Looking both at poetry's "you" and at how readers encounter it, Waters asserts that poetic address shows literature pressing for a close relation with those into whose hands it may fall. What is at stake for us as readers and critics is our ability to acknowledge the claims made on us by the works of art with which we engage. In second-person poems, in a poem's touch, we may come to see why poetry matters to us, and how we, in turn, come to feel answerable to it. Poetry's Touch takes as a central thread the poetry of Rainer Maria Rilke, a writer whose work is unusually self-conscious about poetic address. The book also draws examples from a gamut of European and American poems, ranging from archaic Greek inscriptions to Keats, Dickinson, and Ashbery.

 

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Spis treści

Introduction
1
Poems Addressing Contemporaries
18
Address as Greeting Address as Spell
52
The Continuance of Poems Monument and Mouth
106
HandWriting and Readerly Intimacy
144
Bibliography
165
Index
179
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Informacje o autorze (2003)

William Waters is Associate Professor of German at Boston University.

Informacje bibliograficzne