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The Reviews Shelley and Keats. Milman's 'Fazio.' 'The Quar-

terly' and Shelley: Lord Byron's eulogium on the latter. Mil-

man's 'Siege of Jerusalem,' and his obligations to Milton. The

Quarterly Reviewers. Dryden's cutting couplet. Keats and the

Cockneys. Keats's sentimentalism. Hyperion.' Lord Thurlow.

'Lalla Rookh.' Moore and Captain Ellis; instance of an Iricism

in the former. "The Lusiad' and Lord Strangford. The Bermuda

affair: Moore's independence. The Fudge Family:' Letter to

Big Ben. Moore's immortality: the Irish Melodies.

The Author takes leave of Lord Byron for some time. The affray

at Pisa; French account of it; the depositions. Banishment of

the Counts Gamba and Lord Byron's servants from Pisa. Lord

Byron's departure. The Gambas ordered to quit the Tuscan

States. The Lanfranchi palace. Arrival of Leigh Hunt and his

family. Shelley's death; Memoir of him (in a note): burning of

his body; descriptive account of the scene. Lord Byron's remedy

for a fever: his attachment to the Countess Guiccioli. His first

introduction to Leigh Hunt. Lord Byron's gratitude. Object

of Hunt's journey. His Lordship's intended translation of Ariosto.

Advice of Moore. The new Periodical. Lord Byron's opinion of

Hunt. The Blue-coat foundation. Punning titles

Intention of a trip to America. Civilities from the Americans; diffe-
rent treatment by an English sloop of war. Lord Byron's naval
ancestor. 'Werner.' Miss Lee's 'Canterbury Tales:' the German's
Tale. 'Vathek.' The Cave of Eblis. Paul and Virginia.' 'The

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CONVERSATIONS,

&c.

I WENT to Italy late in the autumn of 1821, for the benefit of my health. Lord Byron, accompanied by Mr. Rogers as far as Florence, had passed on a few days before me, and was already at Pisa when I arrived.

His travelling equipage was rather a singular one, and afforded a strange catalogue for the Dogana: seven servants, five carriages, nine horses, a monkey, a bull-dog and a mastiff, two cats, three pea-fowls and some hens, (I do not know whether I have classed them in order of rank,) formed part of his live stock; these, and all his books, consisting of a very large library of modern

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works, (for he bought all the best that came out,) together with a vast quantity of furniture, might well be termed, with Cæsar, "impediments.”

I had long formed a wish to see and be acquainted with Lord Byron; but his known refusal at that time to receive the visits of strangers, even of some who had brought him letters of introduction from the most intimate friend he had, and a prejudice excited against his own countrymen by a late insult, would have deterred me from seeking an interview with him, had not the proposal come from himself, in consequence of his hearing Shelley speak of me.

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20th NOVEMBER.-"This is the Lung' Arno: he has hired the Lanfranchi palace for a year. It is one of those marble piles that seem built for eternity, whilst the family whose name it bears no longer exists," said Shelley, as we entered a hall that seemed built for giants. “I remember the lines in the Inferno," said I: "a Lanfranchi was one of the persecutors of Ugolino." "The same," answered Shelley; "you will see a picture of Ugolino and his sons in his room. Fletcher, his valet, is as superstitious as his master, and says the house is haunted,

so that he cannot sleep for rumbling noises overhead, which he compares to the rolling of bowls. No wonder; old Lanfranchi's ghost is unquiet, and walks at night."

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The palace was of such size, that Lord Byron only occupied the first floor; and at the top of the staircase leading to it was the English bull-dog, whose chain was long enough to guard the door, and prevent the entrance of strangers; he, however, knew Shelley, growled, and let us pass. In the anti-room we found several servants in livery, and Fletcher, (whom Shelley mentioned, and of whom I shall have occasion to speak,) who had been in his service from the time he left Harrow. Like many old servants, he is a privileged person," whispered Shelley. "Don Juan had not a better Leporello, for imitating his master. He says that he is a Laurel struck by a Metre, and when in Greece remarked upon one of the bas-reliefs of the Parthenon, La! what mantel-pieces these would make, my Lord!'" When we were announced, we found his Lordship writing. His reception was frank and kind; he took me cordially by the hand, and said:

"You are a relation and schoolfellow of Shelley's-we "do not meet as strangers-you must allow me to con

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