Poetry as a Representative Art: An Essay in Comparative AestheticsPutnam, 1899 - 356 |
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accented syllable æsthetic alloyed artistic beginning breath cæsura CHAPTER character circumflex clouds comparison connection corresponding dark developed direct representation effects elements elocution elocutionary emotive expression eyes fact falling feeling feet figurative language force G. P. PUTNAM'S SONS give Greek heaven heigh-ho hexameter Homer ideas Idem Iliad illustrative representation imitative sounds indicates inflection instance instinctive Jean Ingelow kind light Locksley Hall Longfellow meaning metaphors methods metonymy metre Milton mind movement nature Notice o'er Othello Paradise Lost passage pause picture pitch plain language pleonasm poem poet poetic poetry present principles produced prose quotations reason reference reflective repre rhymes rhythm rising says sense sentence Shakespear simile singing Song soul stanza stream stress suggested sweet syllables tendency Tennyson termed terminal thee theory thing thou tion tone triple measure truth unaccented syllables utterance verse voice vowels wind words