Poetry as a Representative Art: An Essay in Comparative ÆstheticsG. P. Putnam's Sons, 1899 - 356 |
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Strona xiii
... Tendency or Intellectual Motive , 90 - On its Instinctive Side by High and Low Key , 91 - What each represents , 91 - On its Reflective , by Rising , Falling , and Circum- flex Movements , 92 - What each represents , 92 CONTENTS . xiii.
... Tendency or Intellectual Motive , 90 - On its Instinctive Side by High and Low Key , 91 - What each represents , 91 - On its Reflective , by Rising , Falling , and Circum- flex Movements , 92 - What each represents , 92 CONTENTS . xiii.
Strona xiv
... RISING AND FALLING TONES • PAGE 103-114 Correspondence between Elocutionary Inflections or Intonations and certain Arrangements of Verse - Harmony produced by Sounds of Vowels and Consonants combined , 103 - Effects of Rising Move ...
... RISING AND FALLING TONES • PAGE 103-114 Correspondence between Elocutionary Inflections or Intonations and certain Arrangements of Verse - Harmony produced by Sounds of Vowels and Consonants combined , 103 - Effects of Rising Move ...
Strona 89
... Rising , Falling , and Circumflex Movements - What each represents -When Influences from both Sides express Emotive Tendencies , by Melody - What Different Melodies represent - Pitch as used in Poetry— Which was formerly chanted - And ...
... Rising , Falling , and Circumflex Movements - What each represents -When Influences from both Sides express Emotive Tendencies , by Melody - What Different Melodies represent - Pitch as used in Poetry— Which was formerly chanted - And ...
Strona 90
... rising inflection on the word " well . " It seems proper to say , therefore , that , in the main , pitch is that part of the generally emotive language of the in- tonations which is most reflective , representing what may be termed ...
... rising inflection on the word " well . " It seems proper to say , therefore , that , in the main , pitch is that part of the generally emotive language of the in- tonations which is most reflective , representing what may be termed ...
Strona 91
... rising " and " fall- ing " movements , determines the melody , and represents , of course , the tendency in one or the other direction of the psychic nature . Considering pitch , first , as influenced by the instinctive nature , it has ...
... rising " and " fall- ing " movements , determines the melody , and represents , of course , the tendency in one or the other direction of the psychic nature . Considering pitch , first , as influenced by the instinctive nature , it has ...
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æsthetic alloyed Anglo-Saxon Apophasis artistic associations beginning breath cæsura CHAPTER character clouds comparison connection corresponding dark developed direct representation effects elocution elocutionary emotion expression eyes fact falling feeling figurative language force G. P. PUTNAM'S SONS give Greek hear heaven heigh-ho Herbert Spencer Homer ideas Idem Iliad illustrative representation imagination imitative sounds instance instinctive Jean Ingelow kind latter light meaning metaphors methods Metonymy metre Milton mind movement nature Notice o'er Onomatopoeia origin Paradise Lost passage pause perceived phrases picture pitch plain language pleonasm poem poet poetic poetry present principles produced prose pure quotations reason recognize reference reflective repre represent rhymes rhythm says sense sentence Shakespear simile singing soul spottles stanza stream stress suggested sweet syllables tendency Tennyson termed terminal thee theory thing thou thought tion tone triple measure unaccented syllables utterance verse voice wind words Wordsworth
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Strona 197 - Break, break, break, On thy cold gray stones, O Sea! And I would that my tongue could utter The thoughts that arise in me. O well for the fisherman's boy, That he shouts with his sister at play! O well for the sailor lad, That he sings in his boat on the bay!
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