Chironomia; or, A treatise on rhetorical deliveryT. Cadell and W. Davies, 1806 - 583 |
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Strona 80
... qu'ils doivent exprimer . Fenelon Dialogues sur l'Eloquence . p . 236 . 24 Tum intentis , tum remissis , tum elatis , tum inferioribus modis opus est , spatiis quoque lentioribus aut citatioribus . Quint . l . xi . c . 3 . 25 Omnis enim ...
... qu'ils doivent exprimer . Fenelon Dialogues sur l'Eloquence . p . 236 . 24 Tum intentis , tum remissis , tum elatis , tum inferioribus modis opus est , spatiis quoque lentioribus aut citatioribus . Quint . l . xi . c . 3 . 25 Omnis enim ...
Strona 94
... qu'il doit aux personnes qui l'écoutent et dont il va fixer les regards . . . . . . . En géneral , les yeux aiment à se porter sur une personne qui observe les regles de la convenance , tandis qu'on les detourne sans regret , et avec ...
... qu'il doit aux personnes qui l'écoutent et dont il va fixer les regards . . . . . . . En géneral , les yeux aiment à se porter sur une personne qui observe les regles de la convenance , tandis qu'on les detourne sans regret , et avec ...
Strona 95
... qu'il faut éviter : le ridicule s'y attache , il vaudroit mieux n'exprimer qu'à demi les passions , que de tomber dans ce défaut . their true sentiments . But far from this as well CHAP . III . 95 Of the Countenance .
... qu'il faut éviter : le ridicule s'y attache , il vaudroit mieux n'exprimer qu'à demi les passions , que de tomber dans ce défaut . their true sentiments . But far from this as well CHAP . III . 95 Of the Countenance .
Strona 99
... qu'on peut les reconnoitre ; l'œil ap- partient à l'ame plus qu'aucun autre organe , il semble y toucher et participer à tous ses mouvemens , il en exprime les passions les plus vives et les émotions les plus tumultueuses , comme les ...
... qu'on peut les reconnoitre ; l'œil ap- partient à l'ame plus qu'aucun autre organe , il semble y toucher et participer à tous ses mouvemens , il en exprime les passions les plus vives et les émotions les plus tumultueuses , comme les ...
Strona 101
... il , je ne les crains pas . Euvres de Marmontel , Tom . II . p . 286 . 20 Bourdaloue's action was very impressive ... qu'on sent qu'il lui manque une des choses qui devroient animer son discours . B. Mais pourquoi le fait - il ? A. Il se ...
... il , je ne les crains pas . Euvres de Marmontel , Tom . II . p . 286 . 20 Bourdaloue's action was very impressive ... qu'on sent qu'il lui manque une des choses qui devroient animer son discours . B. Mais pourquoi le fait - il ? A. Il se ...
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action actor affectation altogether ancient animi appears atque autem autres body celebrated character Cicero corporis countenance Cresol Cresollius deinde delivered delivery Demosthenes dicendi dicere digitis discourse doit elevated Elocutio eloquence enim etiam expression eyes feelings fingers geste grace hæc hand illa l'expression labour language magis manner manum manus marked mind modo modum motions motus mouvemens nature neque nihil notation object observed omnia omnis orator oratory palæstra pantomime passage passions Pathognomy perfection Plutarch Plutus pollice position primum principal gesture pronunciatio public speaker pulpit Pylades qu'il quæ quædam quam quid quidem Quint Quintilian quod quoque reading rhetorical sæpe sentiments significant gestures speaking suited sunt talents tamen tantum tion tones variety vero vocem vocis voice vultus whilst words γὰρ δὲ καὶ τὴν τῆς τὸ τὸν τῶν
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Strona 281 - Pity it is, that the momentary beauties flowing from an harmonious elocution, cannot like those of poetry be their own record! That the animated graces of the player can live no longer than the instant breath and motion that presents them; or at best can but faintly glimmer through the memory, or imperfect attestation of a few surviving spectators.
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