The Cambridge Companion to Brecht

Przednia okładka
Peter Thomson, Glendyr Sacks
Cambridge University Press, 21 gru 2006 - 333
This updated Companion offers students crucial guidance on virtually every aspect of the work of this complex and controversial writer. It brings together the contrasting views of major critics and active practitioners, and this edition introduces more voices and themes. The opening essays place Brecht's creative work in its historical and biographical context and are followed by chapters on single texts, from The Threepenny Opera to The Caucasian Chalk Circle, on some early plays and on the Lehrstücke. Other essays analyse Brecht's directing, his poetry, his interest in music and his work with actors. This revised edition also contains additional essays on his early experience of cabaret, his significance in the development of film theory and his unique approach to dramaturgy. A detailed calendar of Brecht's life and work and a selective bibliography of English criticism complete this provocative overview of a writer who constantly aimed to provoke.
 

Spis treści

List of illustrations page
x
The Good Person of Szechwan
xii
A note on titles
xxvi
Prawa autorskie

Kluczowe wyrazy i wyrażenia

Informacje o autorze (2006)

Peter Thomson is Professor of Drama at the University of Exeter.

Glendyr Sacks was formerly a lecturer in the Drama department at the University of Exeter.

Informacje bibliograficzne