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is fortunate to have stumbled upon one. He declareth may subject the spirit of a gentleman. A little against fish, the turbot being small, yet suffereth himself to be importuned into a slice against his first resolution. He sticketh by the port, yet will be prevailed upon to empty the remainder glass of claret, if a stranger press it upon him. He is a puzzle to the servants, who are fearful of being too obsequious, or not civil enough to him. The guests think they have seen him before.' Every one speculateth upon his condition; and the most part take him to be a tidewaiter. He calleth you by your Christian name, to imply that his other is the same with your own. He is too familiar by half, yet you wish he had less diffidence. With half the familiarity, he might pass for a casual dependent; with more boldness, he would be in no danger of being taken for what he is. He is too humble for a friend, yet taketh on him more state than befits a client. He is a worse guest than a country tenant, inasmuch as he bringeth up no rent; yet 'tis odds, from his garb and demeanour, that your guests take him for one. He is asked to make one at the whist-table; refuseth on the score of poverty, and resents being left out. When the company break up, he proffereth to go for a coach, and lets the servant go. He recollects your grandfather; and will thrust in some mean and quite unimportant anecdote of the family. He knew it when it was not quite so flourishing as he is blest in seeing it now.' He reviveth past situations, to institute what he calleth favourable comparisons. With a reflecting sort of congratulation he will inquire the price of your furniture; and insults you with a special commendation of your windowcurtains. He is of opinion that the urn is the more elegant shape; but, after all, there was something more comfortable about the old tea-kettle, which you must remember. He dare say you must find a great convenience in having a carriage of your own, and appealeth to your lady if it is not so. Inquireth if you have had your arms done on vellum yet; and did not know till lately that such and such had been the crest of the family. His memory is unseasonable, his compliments perverse, his talk a trouble, his stay pertinacious; and when he goeth away, you dismiss his chair into a corner as precipitately as possible, and feel fairly rid of two nuisances.

There is a worse evil under the sun, and that is a female poor relation. You may do something with the other; you may pass him off tolerably well; but your indigent she-relative is hopeless. He is an old humorist,' you may say, 'and affects to go threadbare. His circumstances are better than folks would take them to be. You are fond of having a character at your table, and truly he is one.' But in the indications of female poverty there can be no disguise. No woman dresses below herself from caprice. The truth must out without shuffling. 'She is plainly related to the L- -s, or what does she at their house!' She is, in all probability, your wife's cousin. Nine times out of ten, at least, this is the case. Her garb is something between a gentlewoman and a beggar, yet the former evidently predominates. She is most provokingly humble, and ostentatiously sensible to her inferiority. He may require to be repressed sometimes -aliquando sufflaminandus erat-but there is no raising her. You send her soup at dinner, and she begs to be helped after the gentlemen. Mr. -requests the honour of taking wine with her; she hesitates between port and Madeira, and chooses the former because he does. She calls the servant sir; and insists on not troubling him to hold her plate. The housekeeper patronises her. The children's governess takes upon her to correct her when she has mistaken the piano for a harpsichord.

Richard Amlet, Esq., in the play, is a notable instance of the disadvantages to which this chimerical notion of affinity constituting a claim to acquaintance

foolish blood is all that is betwixt him and a lady
with a great estate. His stars are perpetually crossed
by the malignant maternity of an old woman, who
persists in calling him 'her son Dick.' But she has
wherewithal in the end to recompense his indignities,
and float him again upon the brilliant surface, under
which it had been her seeming business and pleasure
all along to sink him. All men, besides, are not of
Dick's temperament. I knew an Amlet in real life,
who, wanting Dick's buoyancy, sank indeed.
W was of my own standing at Christ's, a fine
classic, and a youth of promise. If he had a blemish,
it was too much pride; but its quality was inoffen-
sive; it was not of that sort which hardens the heart
and serves to keep inferiors at a distance; it only
sought to ward off derogation from itself. It was the
principle of self-respect carried as far as it could go,
without infringing upon that respect which he would
have every one else equally maintain for himself. He
would have you to think alike with him on this topic.
Many a quarrel have I had with him when we were
rather older boys, and our tallness made us more
obnoxious to observation in the blue clothes, because
I would not thread the alleys and blind ways of the
town with him to elude notice, when we have been
out together on a holiday in the streets of this sneer-
ing and prying metropolis. W- I went, sore with
these notions, to Oxford, where the dignity and sweet-
ness of a scholar's life, meeting with the alloy of a
humble introduction, wrought in him a passionate
devotion to the place, with a profound aversion from
the society. The servitor's gown-worse than his school
array-clung to him with Nessian venom.
He thought
himself ridiculous in a garb under which Latimer must
have walked erect; and in which Hooker in his young
days possibly flaunted in a vein of no discommendable
vanity. In the depth of college shades, or in his lonely
chamber, the poor student shrunk from observation.
He found shelter among books which insult not, and
studies that ask no questions of a youth's finances.
He was lord of his library, and seldom cared for look-
ing out beyond his domains. The healing influence
of studious pursuits was upon him, to soothe and to
abstract. He was almost a healthy man, when the
waywardness of his fate broke out against him with a
second and worse malignity. The father of W-
had hitherto exercised the humble profession of house-
painter at N-, near Oxford. A supposed interest
with some of the heads of colleges had now induced him
to take up his abode in that city, with the hope of being
employed upon some public works which were talked of.
From that moment I read in the countenance of the
young man the determination which at length tore him
from academical pursuits for ever. To a person unae-
quainted with our universities, the distance between the
gownsmen and the townsmen, as they are called-the
trading part of the latter especially-is carried to an
excess that would appear harsh and incredible. The
temperament of W's father was diametrically the
reverse of his own. Old W- was a little, busy,
cringing tradesman, who, with his son upon his arm,
would stand bowing and scraping, cap in hand, to
anything that wore the semblance of a gown-insensible
to the winks and opener remonstrances of the young
man, to whose chamber-fellow, or equal in standing,
perhaps, he was thus obsequiously and gratuitously
ducking. Such a state of things could not last.
W- must change the air of Oxford, or be suffocated.
He chose the former; and let the sturdy moralist, who
strains the point of the filial duties as high as they can
bear, censure the dereliction; he cannot estimate the
struggle. I stood with W the last afternoon I ever
saw him, under the eaves of his paternal dwelling.
It was in the fine lane leading from the High Street
to the back of college, where W kept his

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rooms. He seemed thoughtful and more reconciled. I ventured to rally him-finding him in a better mood -upon a representation of the Artist Evangelist, which the old man, whose affairs were beginning to flourish, had caused to be set up in a splendid sort of frame over his really handsome shop, either as a token of prosperity, or badge of gratitude to his saint. W- looked up at the Luke, and, like Satan, 'knew his mounted sign, and fled.' A letter on his father's table the next morning announced that he had accepted a commission in a regiment about to embark for Portugal. He was among the first who perished before the walls of St Sebastian.

refused, with a resistance amounting to rigour, when my aunt, an old Lincolnian, but who had something of this, in common with my cousin Bridget, that she would sometimes press civility out of season-uttered the following memorable application: 'Do take another slice, Mr Billet, for you do not get pudding every day.' The old gentleman said nothing at the time-but he took occasion in the course of the evening, when some argument had intervened between them, to utter, with an emphasis which chilled the company, and which chills me now as I write it-' Woman, you are superannuated.' John Billet did not survive long after the digesting of this affront; but he survived long enough to assure me that peace was actually restored! and, if I remember aright, another pudding was discreetly substituted in the place of that which had occasioned the offence. He died at the Mint-anno 1781-where he had long held, what he accounted, a comfortable independence; and with five pounds fourteen shillings and a penny, which were found in his escritoire after his decease, left the world, blessing God that he had enough to bury him, and that he had never been obliged to any man for a sixpence. This was-a Poor Relation.

WILLIAM SOTHEBY.

WILLIAM SOTHEBY, an accomplished scholar and translator, was born in London on the 9th of November 1757. He was of good family, and educated at Harrow School. At the age of seventeen he entered the army as an officer in the 10th Dragoons. He quitted the army in the year 1780, and purchased Bevis Mount, near Southampton, where he continued to reside for the next ten years. Here Mr Sotheby cultivated his taste for literature, and translated some of the minor Greek and Latin poets. In 1788, he made a pedestrian tour through Wales, of which he wrote a poetical description, pub

I do not know how, upon a subject which I began with treating half seriously, I should have fallen upon a recital so eminently painful; but this theme of poor relationship is replete with so much matter for tragic as well as comic associations, that it is difficult to keep the account distinct without blending. The earliest impressions which I received on this matter are certainly not attended with anything painful, or very humiliating, in the recalling. At my father's table-no very splendid one-was to be found every Saturday the mysterious figure of an aged gentleman, clothed in neat black, of a sad yet comely appearance. His deportment was of the essence of gravity; his words few or none; and I was not to make a noise in his presence. I had little inclination to have done so-for my cue was to admire in silence. A particular elbow-chair was appropriated to him, which was in no case to be violated. A peculiar sort of sweet pudding, which appeared on no other occasion, distinguished the days of his coming. I used to think him a prodigiously rich man. All I could make out of him was, that he and my father had been school-fellows a world ago at Lincoln, and that he came from the Mint. The Mint I knew to be a place where all the money was coined, and I thought he was the owner of all that money. Awful ideas of the Tower twined themselves about his presence. He seemed above human infirmities and passions. A sort of melancholy grandeur invested him. From some inex-lished, together with some odes and sonnets, in 1789. plicable doom I fancied him obliged to go about in an eternal suit of mourning; a captive—a stately being let out of the Tower on Saturdays. Often have I wondered at the temerity of my father, who, in spite of a habitual general respect which we all in common manifested towards him, would venture now and then to stand up against him in some argument touching their youthful days. The houses of the ancient city of Lincoln are divided, as most of my readers know, between the dwellers on the hill and in the valley. This marked distinction formed an obvious division between the boys who lived above (however brought together in a common school) and the boys whose paternal residence was on the plain-a sufficient cause of hostility in the code of these young Grotiuses. My father had been a leading mountaineer; and would still maintain the general superiority, in skill and hardihood, of the above boyshis own faction-over the below boys-so were they called-of which party his contemporary had been a chieftain. Many and hot were the skirmishes on this topic-the only one upon which the old gentleman was ever brought out-and bad blood bred; even sometimes almost to the recommencement-so I expected-of actual hostilities. But my father, who scorned to insist upon advantages, generally contrived to turn the conversation upon some adroit by-commendation of the old minster; in the general preference of which, before all other cathedrals in the island, the dweller on the hill and the plain-born could meet on a conciliating level, and lay down their less important differences. Once only I saw the old gentleman really ruffled, and I remember with anguish the thought that came over me-'perhaps he will never come here again.' He had been pressed to take another plate of the viand which I have already mentioned as the indispensable concomitant of his visits. He had

In 1798, he published a translation from the Oberon of
Wieland, which greatly extended his reputation, and
procured him the thanks and friendship of the
German poet. He now became a frequent competitor
for poetical fame. In 1799, he wrote a poem com-
memorative of the battle of the Nile; in 1800,
appeared his translation of the Georgics of Virgil; in
1801, he produced a Poetical Epistle on the Encourage-
ment of the British School of Painting; and in 1802,
a tragedy on the model of the ancient Greek
drama, entitled Orestes. He next devoted himself
to the composition of an original sacred poem, in
blank verse, under the title of Saul, which appeared
in 1807. The fame of Scott induced him to attempt
the romantic metrical style of narrative and des-
cription; and in 1810, he published Constance de
Castille, a poem in ten cantos. In 1814, he repub-
lished his Orestes, together with four other tragedies;
and in 1815, a second corrected edition of the
Georgics. A tour on the continent gave occasion
to another poetical work, Italy. He next began
a labour which he had long contemplated, the
translation of the Iliad and Odyssey, though he was
upwards of seventy years of age before he entered
upon the Herculean task. The summer and autumn
of 1829 were spent in a tour to Scotland, and the
following verses, written in a steam-boat during an
excursion to Staffa and Iona, shew the undiminished
powers of the veteran poet :

Staffa, I scaled thy summit hoar,

I passed beneath thy arch gigantic,
Whose pillared cavern swells the roar,
When thunders on thy rocky shore
The roll of the Atlantic.

That hour the wind forgot to rave,
The surge forgot its motion,
And every pillar in thy cave
Slept in its shadow on the wave,
Unrippled by the ocean.

Then the past age before me came,
When 'mid the lightning's sweep,
Thy isle with its basaltic frame,

And every column wreathed with flame,
Burst from the boiling deep.

When 'mid Iona's wrecks meanwhile

O'er sculptured graves I trod,

Where Time had strewn each mouldering aisle
O'er saints and kings that reared the pile,
I hailed the eternal God:

Yet, Staffa, more I felt his presence in thy cave Than where Iona's cross rose o'er the western wave. Mr Sotheby's translation of the Iliad was published in 1831, and was generally esteemed spirited and faithful. The Odyssey he completed in the following year. He died on the 30th of December 1833, in the seventy-seventh year of his age. The original poetical productions of Mr Sotheby have not been reprinted; his translations are the chief source of his reputation. Wieland, it is said, was charmed with the genius of his translator; and the rich beauty of diction in the Oberon, and its facility of versification, notwithstanding the restraints imposed by a difficult measure, were eulogised by the critics. In his tragedies, Mr Sotheby displays considerable warmth of passion and figurative language, but his plots are ill constructed. Byron said of Mr Sotheby, that he imitated everybody, and occasionally surpassed his models.

[Approach of Saul and his Guards against the

Philistines.]

Hark! hark! the clash and clang

Of shaken cymbals cadencing the pace
Of martial movement regular; the swell
Sonorous of the brazen trump of war;

Shrill twang of harps, soothed by melodious chime
Of beat on silver bars; and sweet, in pausc
Of harsher instrument, continuous flow
Of breath, through flutes, in symphony with song,
Choirs, whose matched voices filled the air afar
With jubilee and chant of triumph hymn;
And ever and anon irregular burst
Of loudest acclamation to each host

Saul's stately advance proclaimed. Before him, youths
In robes succinct for swiftness; oft they struck
Their staves against the ground, and warned the throng
Backward to distant homage, Next, his strength
Of chariots rolled with each an armed band;
Earth groaned afar beneath their iron wheels :
Part armed with scythe for battle, part adorned
For triumph. Nor there wanting a led train
Of steeds in rich caparison, for show
Of solemn entry. Round about the king,
Warriors, his watch and ward, from every tribe
Drawn out. Of these a thousand each selects,
Of size and comeliness above their peers,
Pride of their race. Radiant their armour: some
In silver cased, scale over scale, that played
All pliant to the litheness of the limb;
Some mailed in twisted gold, link within link
Flexibly ringed and fitted, that the eye
Beneath the yielding panoply pursued,
When act of war the strength of man provoked,
The motion of the muscles, as they worked
In rise and fall. On each left thigh a sword
Swung in the 'broidered baldric; each right hand
Grasped a long-shadowing spear. Like them, their chiefs

Arrayed; save on their shields of solid ore,
And on their helm, the graver's toil had wrought
Its subtlety in rich device of war;

And o'er their mail, a robe, Punicean dye,
Gracefully played; where the winged shuttle, shot
By cunning of Sidonian virgins, wove

Broidure of many-coloured figures rare.

Bright glowed the sun, and bright the burnished mail
Of thousands, ranged, whose pace to song kept time;
And bright the glare of spears, and gleam of crests,
And flaunt of banners flashing to and fro
The noonday beam. Beneath their coming, earth
Wide glittered. Seen afar, amidst the pomp,
Gorgeously mailed, but more by pride of port
Known, and superior stature, than rich trim
Of war and regal ornament, the king,
Throned in triumphal car, with trophies graced,
Stood eminent. The lifting of his lance
Shone like a sunbeam. O'er his armour flowed
A robe, imperial mantle, thickly starred
With blaze of orient gems; the clasp that bound
Its gathered folds his ample chest athwart,
Sapphire; and o'er his casque, where rubies burnt,
A cherub flamed and waved his wings in gold.

[Song of the Virgins Celebrating the Victory.] Daughters of Israel! praise the Lord of Hosts! Break into song! With harp and tabret lift Your voices up, and weave with joy the dance; And to your twinkling footsteps toss aloft Your arms; and from the flash of cymbals shake Sweet clangour, measuring the giddy maze.

Shout ye! and ye! make answer, Saul hath slain His thousands; David his ten thousands slain.

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Sing a new song. I saw them in their rage; I saw the gleam of spears, the flash of swords, That rang against our gates. The warders' watch Ceased not. Tower answered tower: a warning voice Was heard without; the cry of woe within: The shriek of virgins, and the wail of her, The mother, in her anguish, who fore-wept, Wept at the breast her babe as now no more. Shout ye! and ye! make answer, Saul hath slain His thousands; David his ten thousands slain.

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Such the hymned harmony, from voices breathed Of virgin minstrels, of each tribe the prime For beauty, and fine form, and artful touch Of instrument, and skill in dance and song; Choir answering choir, that on to Gibeah led The victors back in triumph. On each neck Played chains of gold; and, shadowing their charms With colour like the blushes of the morn, Robes, gift of Saul, round their light limbs, in toss Of cymbals, and the many-mazed dance, Floated like roseate clouds. Thus, these came on In dance and song; then, multitudes that swelled The pomp of triumph, and in circles ranged Around the altar of Jehovah, brought

·

Freely their offerings; and with one accord
Sang, Glory, and praise, and worship unto God.'
Loud rang the exultation. 'Twas the voice
Of a free people from impending chains
Redeemed; a people proud, whose bosom beat
With fire of glory and renown in arms
Triumphant. Loud the exultation rang.

There, many a wife, whose ardent gaze from far
Singled the warrior whose glad eye gave back
Her look of love. There, many a grandsire held
A blooming boy aloft, and 'midst the array
In triumph, pointing with his staff, exclaimed:
'Lo, my brave son! I now may die in peace.'

There, many a beauteous virgin, blushing deep, Flung back her veil, and, as the warrior came, Hailed her betrothed.

EDWARD LORD THURLOW.

EDWARD HOVELL THURLOW, Lord Thurlow (17811829), published several small volumes of poetry: Select Poems (1821); Poems on Several Occasions; Angelica, or the Fate of Proteus; Arcita and Palamon, after Chaucer; &c. Amidst much affectation and bad taste, there is real poetry in the works of this nobleman. He was a source of ridicule and sarcasm to wits and reviewers-including Moore and Byron -and not undeservedly; yet in pieces like the following, there is a freshness of fancy and feeling, and a richness of expression, that resemble Herrick or Moore:

Song to May.

May! queen of blossoms,
And fulfilling flowers,
With what pretty music

Shall we charm the hours?
Wilt thou have pipe and reed,
Blown in the open mead?
Or to the lute give heed
In the green bowers?

Thou hast no need of us,
Or pipe or wire,
That hast the golden bee
Ripened with fire;
And many thousand more
Songsters, that thee adore,
Filling earth's grassy floor
With new desire.

Thou hast thy mighty herds,
Tame, and free livers;
Doubt not, thy music too
In the deep rivers;
And the whole plumy flight,
Warbling the day and night-
Up at the gates of light,

See, the lark quivers!

When with the jacinth

Coy fountains are tressed; And for the mournful bird Greenwoods are dressed, That did for Tereus pine; Then shall our songs be thine, To whom our hearts incline: May, be thou blessed!

Sonnets.

The Summer, the divinest Summer burns,
The skies are bright with azure and with gold;
The mavis, and the nightingale, by turns,

Amid the woods a soft enchantment hold: The flowering woods, with glory and delight, Their tender leaves unto the air have spread; The wanton air, amid their alleys bright,

Doth softly fly, and a light fragrance shed: The nymphs within the silver fountains play, The angels on the golden banks recline, Wherein great Flora, in her bright array,

Hath sprinkled her ambrosial sweets divine: Or, else, I gaze upon that beauteous face, O Amoret! and think these sweets have place.

O Moon, that shinest on this heathy wild,

And light'st the hill of Hastings with thy ray, How am I with thy sad delight beguiled,

How hold with fond imagination play!

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Mr Whyte was also the teacher of Sheridan, and it is curious to learn that, after about a year's trial, Sherry was pronounced, both by tutor and parent, to be an incorrigible dunce! At the time,' says Mr Moore, when I first began to attend his school, Mr Whyte still continued, to the no small alarm of many parents, to encourage a taste for acting among his pupils. In this line I was long his favourite show-scholar; and among the play-bills introduced in his volume, to illustrate the occasions of his own prologues and epilogues, there is one of a play got up in the year 1790, at Lady Borrowes's private theatre in Dublin, where, among the items of the evening's entertainment, is "An Epilogue, A Squeeze to St Paul's, Master Moore."'

event, and sat upon the knee of the chairman while the following toast was enthusiastically sent round: May the breezes from France fan our Irish Oak into verdure.' Parliament having, in 1793, opened the university to Catholics, young Moore was sent to college, and distinguished himself by his classical acquirements. In 1799, he proceeded to London to study law in the Middle Temple, and publish by subscription a translation of Anacreon. The latter appeared in the following year, dedicated to the Prince of Wales. At a subsequent period, Mr Moore was among the keenest satirists of this prince, for which he has been accused of ingratitude; but he states himself that the whole amount of his obligations to his royal highness was the honour of dining twice at Carlton House, and being admitted to a great fête given by the prince in 1811 on his being made regent. In 1801, Moore ventured on a volume of original verse, put forth under the assumed name of Thomas Little-an allusion to his diminutive stature. In these pieces the warmth of the young poet's feelings and imagination led him to trespass on delicacy and decorum. He had the good sense to be ashamed of these amatory juvenilia, and genius enough to redeem the fault. His offence did not stand in the way of his preferment. In 1803 Mr Moore obtained an official situation at Bermuda, the duties of which were discharged by a deputy; and this subordinate proving unfaithful, the poet suffered pecuniary losses and great embarrassment. Its first effect, however, was two volumes of poetry, a series of Odes and Epistles, published in 1806, and written during an absence of fourteen months from Europe, while the author visited Bermuda. The descriptive sketches in this work are remarkable for their fidelity, no less than their poetical beauty. The style of Moore was now formed, and in all his writings there is nothing finer than the opening epistle to Lord Strangford, written on board ship by moonlight:

Sweet Moon! if, like Crotona's sage,
By any spell my hand could dare

To make thy disk its ample page,

And write my thoughts, my wishes there; How many a friend whose careless eye Now wanders o'er that starry sky, Should smile upon thy orb to meet The recollection kind and sweet, The reveries of fond regret,

The promise never to forget,

And all my heart and soul would send
To many a dear-loved, distant friend.

*

Even now, delusive hope will steal
Amid the dark regrets I feel,
Soothing as yonder placid beam

Pursues the murmurers of the deep, And lights them with consoling gleam, And smiles them into tranquil sleep. Oh! such a blessed night as this

I often think if friends were near, How should we feel and gaze with bliss Upon the moon-bright scenery here! The sea is like a silvery lake,

And o'er its calm the vessel glides, Gently, as if it feared to wake

The slumber of the silent tides, The only envious cloud that lowers

Hath hung its shade on Pico's height, Where dimly 'mid the dusk he towers,

And, scowling at this heaven of light,

Exults to see the infant storm

Cling darkly round his giant form!

Mr Moore now became a satirist, attempting first the grave serious style, in which he failed, but succeeding beyond almost any other poet in light satire, verses on the topics of the day, lively and pungent, with abundance of humorous and witty illustration. The man of the world, the scholar, and the poetical artist, are happily blended in his satirical productions, with a rich and playful fancy. His Twopenny Post-bag, The Fudge Family in Paris, Fables for the Holy Alliance, and numerous small pieces written for the newspapers, to serve the cause of the Whig or liberal party, are not excelled in their own peculiar walk by any satirical compositions in the language. It is difficult to select a specimen of these exquisite productions; but the following contains a proportion of the wit and poignancy distributed over all. It appeared at a time when an abundance of mawkish reminiscences and memoirs had been showered from the press, and bore the title of Literary Advertisement:

Wanted-Authors of all work to job for the season, No matter which party, so faithful to neither; Good hacks, who, if posed for a rhyme or a reason, Can manage, like ******* [Southey], to do without either.

If in jail, all the better for out-of-door topics;
Your jail is for travellers a charming retreat;
They can take a day's rule for a trip to the Tropics,
And sail round the world, at their ease, in the
Fleet.

For a dramatist, too, the most useful of schoolsHe can study high-life in the King's Bench community;

Aristotle could scarce keep him more within rules, And of place he, at least, must adhere to the unity.

Any lady or gentleman come to an age

To have good 'Reminiscences' (threescore or higher), Will meet with encouragement-so much per page, And the spelling and grammar both found by the buyer.

No matter with what their remembrance is stocked,
So they'll only remember the quantum desired;
Enough to fill handsomely Two Volumes oct.,
Price twenty-four shillings, is all that's required.

They may treat us, like Kelly, with old jeu d'esprits,
Like Dibdin, may tell of each fanciful frolic;
Or kindly inform us, like Madame Genlis,
That ginger-beer cakes always give them the colic.

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Funds, Physic, Corn, Poetry, Boxing, Romance,
All excellent subjects for turning a penny;
To write upon all is an author's sole chance
For attaining at last the least knowledge of any.

Nine times out of ten, if his title is good,

The material within of small consequence is; Let him only write fine, and if not understood, Why-that's the concern of the reader, not his.

Nota Bene-an Essay, now printing, to shew

That Horace, as clearly as words could express it, Was for taxing the Fundholders, ages ago, When he wrote thus-'Quodcunque in Fund is, assess it.'

According to the common reading, Quodcunque infundis, acescit.' [A punning travesty of a maxim, Ep. ii., b. i, which Francis renders-For tainted vessels sour what they contain.']

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