Hermeneutics and Medieval CulturePatrick J. Gallacher, Helen Damico SUNY Press, 1 sty 1989 - 287 This study explores the art of interpretation in works of history, art, music, and literature from the medieval period. The authors demonstrate that the search for meaning was a primary concern of medieval authors and that the history of medieval thought from Augustine to Aquinas and Ockham illustrates the dialectic of question and answer that is the foundation of hermeneutics. This study is the first to offer a diversity of hermeneutic approaches and themes in the context of medieval works. The study's interdisciplinary approach to the medieval works considered invites analysis from scholars and critics in all areas of medieval studies. The breadth of scope in addressing the art of interpretation in the various disciplines also provides a valuable general introduction to medieval culture. |
Z wnętrza książki
Strona xiii
... sense , the collection might not have come into being without the support of the University's College of Arts and Sciences and College of Fine Arts . We owe particular thanks to F. Chris Garcia , Vice President for Academic Affairs and ...
... sense , the collection might not have come into being without the support of the University's College of Arts and Sciences and College of Fine Arts . We owe particular thanks to F. Chris Garcia , Vice President for Academic Affairs and ...
Strona 4
... sense . The Chaucerian narrator is aware not only of the many interpretations which a particular situation can merit , but is intensely conscious also of the vulnerability of meaning . Hermeneutics is primarily concerned , then , both ...
... sense . The Chaucerian narrator is aware not only of the many interpretations which a particular situation can merit , but is intensely conscious also of the vulnerability of meaning . Hermeneutics is primarily concerned , then , both ...
Strona 5
... sense of the whole in order to understand the parts . Yet , without understanding the parts , one cannot adequately grasp the whole . Karl F. Morrison's essay addresses exactly this issue of the incongruent or undecipherable fragment ...
... sense of the whole in order to understand the parts . Yet , without understanding the parts , one cannot adequately grasp the whole . Karl F. Morrison's essay addresses exactly this issue of the incongruent or undecipherable fragment ...
Strona 15
Niestety, treść tej strony jest ograniczona.
Niestety, treść tej strony jest ograniczona.
Strona 18
Niestety, treść tej strony jest ograniczona.
Niestety, treść tej strony jest ograniczona.
Spis treści
IV | 15 |
V | 27 |
VI | 39 |
VIII | 50 |
X | 61 |
XII | 69 |
XIV | 83 |
XV | 95 |
XXI | 161 |
XXII | 181 |
XXIV | 191 |
XXVI | 199 |
XXVII | 211 |
XXVIII | 223 |
XXX | 235 |
XXXI | 247 |
Inne wydania - Wyświetl wszystko
Kluczowe wyrazy i wyrażenia
Ælfric aesthetic alliterative Andreas Anselm antiphon Arthur astrolabe audience Augustine ballads Bego Beowulf Bernard Boethius Canterbury Tales Chaucer Christ Christian Conques context corpus criticism Dante divine edition Elde English poetry essays etymological example exegesis Folio formula France French Gawain Gerhoch German grammatical half-line hermeneutic hermeneutic gap historians Ibid inscriptions interpretation John Knight's Tale knights language Latin leonine leonine rhyme lines literary London manuscript meaning meditant Meditationes melodies meter metrical Meyer Schapiro Middle Ages Middle English modern modus Musica enchiriadis narrative Newman notes Old English poetry Oxford Paris Percy Percy's phrase pitch Poema poet poetic prayer present reader reliquary Reliques Roland romances Romanesque Romanesque Art Schapiro scholars Scolica enchiriadis Scripture sense Song of Roland stressed structure style Tale theory tion tone tonus tradition translation treatise Tudor twelfth century tympanum understanding University Press verses words writing York
Popularne fragmenty
Strona 1 - ... ego certe, quod intrepidus de meo corde pronuntio, si ad culmen auctoritatis aliquid scriberem, sic mallem scribere, ut, quod veri quisque de his rebus capere posset, mea verba resonarent, quam ut unam veram sententiam ad hoc apertius ponerem, ut excluderem ceteras, quarum falsitas me non posset offendere.