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"Handsome is that handsome does, hold up your heads, girls!" was the language of Primrose in the play when addressing her daughters. The worthy matron was right. Would that all my female readers who are sorrowing foolishly because they are not in all respects like Dubufe's Eve, or that statue of the Venus "which enchants the world," could be persuaded to listen to her. What is good looking, as Horace Smith remarks, but looking good? Be good, be womanly, be gentle,

generous in your sympathies, heedful of the well-being of all around you; and, my word for it, you will not lack kind words of admiration. Loving and pleasant associations will gather about you. Never mind the ugly reflection which your glass may give you. That mirror has no heart. But quite another picture is yours on the retina of human sympathy. There the beauty of holiness, of purity, of that inward grace which passeth show, rests over it, softening and mellowing its features just as the full calm moonlight melts those of a rough landscape into harmonious loveliness. "Hold up your heads, girls!" I repeat after Primrose. Why should you not? Every mother's daughter of you can be beautiful. You can envelop yourselves in an atmosphere of moral and intellectual beauty, through which your otherwise plain faces will look forth like those of angels. Beautiful to Ledyard, stiffening in the cold of a northern winter, seemed the diminutive, smokestained women of Lapland, who wrapped him in their furs and ministered to his necessities with kindness and gentle words of compassion. Lovely

to the homesick heart of Park seemed the dark maids of Sego, as they sung their low and simple song of welcome beside his bed, and sought to comfort the white stranger, who had "no mother to bring him milk and no wife to grind him corn." Oh, talk as we may of beauty as a thing to be chiselled from marble or wrought out on canvas, speculate as we may upon its colors and outlines, what is it but an intellectual abstraction, after all? The heart feels a beauty of another kind; looking through the outward environment, it discovers a deeper and more real loveliness.

This was well understood by the old painters. In their pictures of Mary, the virgin mother, the beauty which melts and subdues the gazer is that of the soul and the affections, uniting the awe and mystery of that mother's miraculous allotment with the irrepressible love, the unutterable tenderness, of young maternity, Heaven's crowning miracle with Nature's holiest and sweetest instinct. And their pale Magdalens, holy with the look of sins forgiven, how the divine beauty of their penitence sinks into the heart! Do we not feel that the only real deformity is sin, and that goodness evermore hallows and sanctifies its dwelling-place? When the soul is at rest, when the passions and desires are all attuned to the divine harmony,

"Spirits moving musically

To a lute's well-ordered law," 1

do we not read the placid significance thereof in the human countenance? "I have seen," said Charles Lamb, "faces upon which the dove of 1 The Haunted Palace, by Edgar A. Poe.

peace sat brooding." In that simple and beautiful record of a holy life, the Journal of John Woolman, there is a passage of which I have been more than once reminded in my intercourse with my fellow-beings: "Some glances of real beauty may be seen in their faces who dwell in true meekThere is a harmony in the sound of that voice to which divine love gives utterance."

ness.

Quite the ugliest face I ever saw was that of a woman whom the world calls beautiful. Through its "silver veil" the evil and ungentle passions looked out hideous and hateful. On the other hand, there are faces which the multitude at the first glance pronounce homely, unattractive, and such as "Nature fashions by the gross," which I always recognize with a warm heart-thrill; not for the world would I have one feature changed; they please me as they are; they are hallowed by kind memories; they are beautiful through their associations; nor are they any the less welcome that with my admiration of them " the stranger intermeddleth not."

THE WORLD'S END.

"Our Father Time is weak and gray,
Awaiting for the better day;
See how idiot-like he stands,
Fumbling his old palsied hands!"

SHELLEY'S Masque of Anarchy.

"STAGE ready, gentlemen! Stage for campground, Derry! Second Advent camp-meeting!" Accustomed as I begin to feel to the ordinary sights and sounds of this busy city, I was, I confess, somewhat startled by this business-like annunciation from the driver of a stage, who stood beside his horses swinging his whip with some degree of impatience: "Seventy-five cents to the Second Advent camp-ground!"

The stage was soon filled; the driver cracked his whip and went rattling down the street.

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The Second Advent, the coming of our Lord in person upon this earth, with signs, and wonders, and terrible judgments, the heavens rolling together as a scroll, the elements melting with fervent heat! The mighty consummation of all things at hand, with its destruction and its triumphs, sad wailings of the lost and rejoicing songs of the glorified! From this overswarming hive of industry, from these crowded treadmills of gain,

- here were men and women going out in solemn earnestness to prepare for the dread moment which

they verily suppose is only a few months distant, to lift up their warning voices in the midst of scoffers and doubters, and to cry aloud to blind priests and careless churches, "Behold, the Bridegroom cometh!”

It was one of the most lovely mornings of this loveliest season of the year; a warm, soft atmosphere; clear sunshine falling on the city spires and roofs; the hills of Dracut quiet and green in the distance, with their white farm-houses and scattered trees; around me the continual tread of footsteps hurrying to the toils of the day; merchants spreading out their wares for the eyes of purchasers; sounds of hammers, the sharp clink of trowels, the murmur of the great manufactories subdued by distance. How was it possible, in the midst of so much life, in that sunrise light, and in view of all abounding beauty, that the idea of the death of Nature the baptism of the world in fire — could take such a practical shape as this? Yet here were sober, intelligent men, gentle and pious women, who, verily believing the end to be close at hand, had left their counting-rooms, and workshops, and household cares to publish the great tidings, and to startle, if possible, a careless and unbelieving generation into preparation for the day of the Lord and for that blessed millennium, — the restored paradise, — when, renovated and renewed by its fire-purgation, the earth shall become as of old the garden of the Lord, and the saints alone shall inherit it.

Very serious and impressive is the fact that this idea of a radical change in our planet is not only