A Symposion of Praise: Horace Returns to Lyric in Odes IVUniversity of Wisconsin Press, 2004 - 320 Ten years after publishing his first collection of lyric poetry, Odes I-III, Horace (65 B.C.-8 B.C.) returned to lyric and published another book of fifteen odes, Odes IV. These later lyrics, which praise Augustus, the imperial family, and other political insiders, have often been treated more as propaganda than art. But in A Symposion of Praise, Timothy Johnson examines the richly textured ambiguities of Odes IV that engage the audience in the communal or "sympotic" formulation of Horace's praise. Surpassing propaganda, Odes IV reflects the finely nuanced and imaginative poetry of Callimachus rather than the traditions of Aristotelian and Ciceronian rhetoric, which advise that praise should present commonly admitted virtues and vices. In this way, Johnson demonstrates that Horace's application of competing perspectives establishes him as Pindar's rival. Johnson shows the Horatian panegyrist is more than a dependent poet representing only the desires of his patrons. The poet forges the panegyric agenda, setting out the character of the praise (its mode, lyric, and content both positive and negative), and calls together a community to join in the creation and adaptation of Roman identities and civic ideologies. With this insightful reading, A Symposion of Praise will be of interest to historians of the Augustan period and its literature, and to scholars interested in the dynamics between personal expression and political power. |
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Strona 25
... poetry ( Epist.II.1.214b - 50a ) . Just as at the end of S.II.1 , Horace trusts Augustus's literary judgment with the logical implication , of course , that bad poetry is sympto- matic of a poor patron and good poetry of a good patron ...
... poetry ( Epist.II.1.214b - 50a ) . Just as at the end of S.II.1 , Horace trusts Augustus's literary judgment with the logical implication , of course , that bad poetry is sympto- matic of a poor patron and good poetry of a good patron ...
Strona 41
... poetry . It would be equally shortsighted to write off Suetonius as com- pletely inaccurate and claim that book IV is not commissioned panegyric . Horace packs together in his shortest lyric collection more praise poetry than in any ...
... poetry . It would be equally shortsighted to write off Suetonius as com- pletely inaccurate and claim that book IV is not commissioned panegyric . Horace packs together in his shortest lyric collection more praise poetry than in any ...
Strona 165
... poetry is a gift or payment . Horace receives his poetry as a gift from the gods ( IV.3.17-24 ; 6.29-30 ) and applies commercial terms to writing for patrons ( IV.8.9-12 , 21-22 ) . The metaphor , gift equals poetry , transforms ...
... poetry is a gift or payment . Horace receives his poetry as a gift from the gods ( IV.3.17-24 ; 6.29-30 ) and applies commercial terms to writing for patrons ( IV.8.9-12 , 21-22 ) . The metaphor , gift equals poetry , transforms ...
Spis treści
Sympotic Horace | 3 |
Encomia Nobilium and Horaces Panegyric Praxis | 40 |
Songs of Mourning | 134 |
Prawa autorskie | |
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