-Then fhall this mount Of Paradife by might of Waves be moved The Tranfition which the Poet makes from the Vision of the Deluge, to the Concern it occasioned in Adam, is exquifitely graceful, and copied after Virgil, tho' the first Thought it introduces is rather in the Spirit of Ovid. How didft thou grieve, then, Adam, to behold Of tears and forrow, a floud thee alfo drown'd, I have been the more particular in my Quotations out of the Eleventh Book of Paradife Loft, because it is not generally reckoned among the most shining Books of this Poem. For which reason, the Reader might be apt to overlook those many Paffages in it, which deferve our Admiration. The Eleventh and Twelfth are indeed built upon that single Circumstance of the Removal of our first Parents from Paradife; but tho' this is not in it felf fo great a Subject as that in most of the foregoing Books, it is extended and diverfified with fo many furprizing Incidents and pleafing Episodes, that these two last Books can by no means be looked upon as unequal Parts of this divine Poem. I must further add, that had not Milton represented our first Parents as driven out of Paradije, his Fall of Man would not have been compleat, and confequently his Action would have been imperfect. THE SPECTATOR. Segnius irritant animos demiffa per aures { Hor. What we hear moves lefs than what we fee. Saturday, May, 3. 1712. ILTON, after having represented in Vision the History of Mankind to the First great Period of Nature, difpatches the remaining Part of it in Narration. He has de M vised a very handsome Reason for the Angel's proceeding with Adam after this manner; tho' doubtlefs, the true Reafon was the difficulty which the Poet would have found to have fhadowed out fo mixt and complicated a Story in visible Objects. I could wish, however, that the Author had done it, whatever Pains it might have cost him. To give my Opinion freely, I think that the exhibiting Part of the History of Mankind in Vision, and part in Narrative, is as if an History Painter fhould put in Colours one half of his Subject, and write down the remaining part of it. If Milton's Poem flags any where, it is in this Narration, where in some places the Author has been so attentive to his Divinity, that he has neglected his Poetry. The Narration, however, rifes very happily on several Occafions, where the Subject is capable of Poetical Ornaments, as particularly in the Confusion which he describes among the Builders of Babel, and in his fhort Sketch of the Plagues of Egypt. The Storm of Hail and Fire, with the Darkness that overspread the Land for three Days, are described with great Strength. The beautiful Paffage, which follows, is raised upon noble Hints in Scripture. K Thus with ten wounds The River-Dragon tam'd at length fubmits The River-Dragon is an Allufion to the Crocodile, which inhabits the Nile, from whence Egypt derives her Plenty. This Allufion is taken from that Sublime Paffage in Ezekiel. Thus faith the Lord God, behold, I am against thee Pharaoh King of Egypt, the great Dragon that lieth in the midst of his Rivers, which hath faid, My River is mine own, and I have made it for my felf. Milton has given us another very noble and Poetical Image in the fame Description, which is copied almoft Word for Word out of the Hiftory of Mofes. All night he will purfue, but his approach Darknefs defends between till morning watch; Then through the fiery pillar and the cloud God looking forth, will trouble all his hoast, And craze their Chariot Wheels: When by command Mofes once more his potent Rod extends Over the Sea; the Sea his Rod obeys; On their Embatelled ranks the waves return As the Principal Defign of this Epifode was to give Adam an Idea of the Holy Person, who was to reinstate Human Nature in that Happiness and Perfection from which it had fallen, the Poet confines himself to the Line of Abraham, from whence the Meffiah was to Descend. The Angel is described as seeing the Patriarch actually travelling towards the Land of Promife, which gives a particular Liveliness to this part of the Narration. I fee him, but thou canst not, with what faith He leaves his Gods, his Friends, his native Soil To Haran, after him a cumbrous train Of Herds and flocks, and numerous fervitude; Pitch't about Sechem, and the neighbouring plain From Hamath Northward to the Defart South; (Things by their names I call, though yet unnam'd.) As Virgil's Vision in the Sixth Eneid probably gave Milton the Hint of this whole Episode, the last Line is a Tranflation of that Verfe, where Anchifes mentions the Names of Places, which they were to bear hereafter. Hæc tum nomina erunt, nunc funt fine nomine terræ. The Poet has very finely represented the Joy and Gladnefs of Heart, which rifes in Adam upon his Discovery of the Meffiah. As he fees his Day at a distance through Types and Shadows, he rejoices in it; but when he finds the Redemption of Man compleated, and Paradife again renewed, he breaks forth in Rapture and Tranfport, O goodnefs infinite, goodnefs immenfe ! I have hinted, in my Sixth Paper on Milton, that an Heroic Poem, according to the Opinion of the best Criticks, ought to end happily, and leave the Mind of the Reader, after having conducted it through many Doubts and Fears, Sorrows and Difquietudes, in a ftate of Tranquillity and Satisfaction. Milton's Fable, which had so many other Qualifications to recommend it, was deficient in this Particular. It is here therefore, that the Poet has fhewn a moft exquifite Judgment, as well as the finest Invention, by finding out a Method to fupply this Natural Defect in his Subject. Accordingly he leaves the Adverfary of Mankind, in the last View which he gives us of him, under the lowest State of Mortification and Difappointment. We see him chewing Afhes, grovelling in the Duft, and loaden with Supernumerary Pains and Torments. On the contrary, our two first Parents are comforted by Dreams and Visions, cheared with Promises of Salvation, and, in a manner, raised to a greater Happiness than that which they had forfeited: In fhort, Satan is represented miserable in the height of his Triumphs, and Adam triumphant in the height of Misery. Milton's Poem ends very nobly. The laft Speeches of Adam and the Arch-angel are full of Moral and Inftructive Sentiments. The Sleep that fell upon Eve, and the effects it had in quieting the Disorders of her Mind, produces the fame kind of Confolation in the Reader, who cannot peruse the last beautiful Speech which is afcrib'd to the Mother of Mankind, without a fecret Pleasure and Satisfaction. Whence thou return'ft, and whither went ft, I know; The following Lines which conclude the Poem ríe in a moft glorious blaze of Poetical Images and Expreffions. Heliodorus in his Æthiopicks acquaints us that the Motion of the Gods differs from that of Mortals, as the former do not stir their Feet, nor proceed Step by Step, but slide o'er the Surface of the Earth by an |