On the Art of the Theatre

able acting action actual amusement artificial artist audience beautiful become believe better brain bring Chimæra colour craft create director drama dramatist dream Edmund Kean Eleonora Duse emotion England entirely Europe expression eyes face feel figures footlights Germany give Hamlet hear Henry Irving hundred idea ideal imagination intelligence invent JULIUS CAESAR King King Lear light look Macbeth manager material matter mean mind modern theatre move movement Munich musician natural never North Pole once Othello painter painting perfect personality play PLAYGOER STAGE-DIRECTOR PLAYGOER Yes playwright poet practical produce puppet realism reason rehearsal Romeo and Juliet Russian scenery scenes and costumes SECOND DIALOGUE seems seen sense Shakespeare speak spirit stage STAGE-DIRECTOR PLAYGOER STAGE-DIRECTOR Yes stage-manager suppose symbol tell theatrical thing thought to-day told truth understand voice whole wish words