An Abridgment of Elements of CriticismHaswell, Barrington & Haswell, 1830 - 300 |
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Strona 22
... spectator or reader , love or esteem for the author , and a desire to perform acts of gratitude , without reference to any one object . In this state the mind , wonderfully bent upon an object , neglects no opportunity to vent itself ...
... spectator or reader , love or esteem for the author , and a desire to perform acts of gratitude , without reference to any one object . In this state the mind , wonderfully bent upon an object , neglects no opportunity to vent itself ...
Strona 26
... Spectator , in a story , the dramatis persona of which are , a cardinal and a spy retained in pay for intelligence . The cardinal is repre- sented as minuting down the particulars . The spy begins with a low voice , " Such an one , the ...
... Spectator , in a story , the dramatis persona of which are , a cardinal and a spy retained in pay for intelligence . The cardinal is repre- sented as minuting down the particulars . The spy begins with a low voice , " Such an one , the ...
Strona 27
... spectator of its existence , and I have a perception of the object similar to what a real spec- tator has . Many rules of criticism depend on conception . To distinguish conception from reflective remembrance , 1 give the following ...
... spectator of its existence , and I have a perception of the object similar to what a real spec- tator has . Many rules of criticism depend on conception . To distinguish conception from reflective remembrance , 1 give the following ...
Strona 28
... spectators . Slight and superficial narrative pro- duces faint and incomplete ideas , of which conception makes no part . Past time enters into this idea , as into an incomplete idea of memory ; as when we have spread out before our ...
... spectators . Slight and superficial narrative pro- duces faint and incomplete ideas , of which conception makes no part . Past time enters into this idea , as into an incomplete idea of memory ; as when we have spread out before our ...
Strona 30
... Spectator For what purpose was anger given us ? What prevents mischief arising from absurd passion . Are passions moved by fiction ? Give examples of past scenes made present to the mind ? What is this act of the mind called ? How is ...
... Spectator For what purpose was anger given us ? What prevents mischief arising from absurd passion . Are passions moved by fiction ? Give examples of past scenes made present to the mind ? What is this act of the mind called ? How is ...
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accent action Æneid agreeable allegory appear arts beauty blank verse burlesque capital cause circumstances comparison congruity connexion criticism dignity disagreeable distinguished doth effect elevated ELOISA TO ABELARD emotions and passions emotions raised epic poem epic poetry expression Falstaff figure figure of speech Fingal garden Give an example Give examples grandeur grief hath heaven Hence HENRY VI.-ACT ILIAD imagination imitation impression Jane Shore jects kind king language less light Macbeth manner means melody metaphor mind motion Mozambic nature never novelty object observed ornament Ossian painful Paradise Lost pause person personification pity pleasant pleasure principle proper reader reason regularity relation relish resemblance respect rhyme RICHARD II.-ACT ridicule riety rule sense sensible sentiments Shakspeare simile sion sort sound species spectator speech sublime syllables taste termed thee things thou thought tion tragedy unity variety verse words writers