An Abridgment of Elements of CriticismHaswell, Barrington & Haswell, 1830 - 300 |
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Strona vi
... Sentiments ..... 17. Language of Passion . 18. Beauty of Language . 92 99 15. External Signs of Emotions and Passions .. 103 105 123 133 4. Versification .... Sect . 1. Beauty of Language with respect to Sound ... 2. Beauty of Language ...
... Sentiments ..... 17. Language of Passion . 18. Beauty of Language . 92 99 15. External Signs of Emotions and Passions .. 103 105 123 133 4. Versification .... Sect . 1. Beauty of Language with respect to Sound ... 2. Beauty of Language ...
Strona vii
... sentiment or feeling , without interposing any sort of judgment , poetry , music and painting , are mere pastime : in the prime of life , indeed , they are delightful , being supported by the force of novelty and the heat of imagination ...
... sentiment or feeling , without interposing any sort of judgment , poetry , music and painting , are mere pastime : in the prime of life , indeed , they are delightful , being supported by the force of novelty and the heat of imagination ...
Strona 58
... Sentiments , and even expressions , are characterized in the same manner : an expression or sentiment that raises the mind is denominated great or elevated ; and hence the SUBLIME in poetry . In such figurative terms , we lose the ...
... Sentiments , and even expressions , are characterized in the same manner : an expression or sentiment that raises the mind is denominated great or elevated ; and hence the SUBLIME in poetry . In such figurative terms , we lose the ...
Strona 63
... . Is the term beauty extended to intellectual and moral objects ? What is a low emotion ? What is the effect of a great sentiment or expression on the mind ? What arises hence ? What is a climax ? What GRANDEUR AND SUBLIMITY . 63.
... . Is the term beauty extended to intellectual and moral objects ? What is a low emotion ? What is the effect of a great sentiment or expression on the mind ? What arises hence ? What is a climax ? What GRANDEUR AND SUBLIMITY . 63.
Strona 66
... sentiment , belongs to different chapters . I should conclude with the final cause of the relish we have for motion and force , were it not so evident as to require no explanation . We are placed here in such circumstances as to make ...
... sentiment , belongs to different chapters . I should conclude with the final cause of the relish we have for motion and force , were it not so evident as to require no explanation . We are placed here in such circumstances as to make ...
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accent action Æneid agreeable allegory appear arts beauty blank verse burlesque capital cause circumstances comparison congruity connexion criticism dignity disagreeable distinguished doth effect elevated ELOISA TO ABELARD emotions and passions emotions raised epic poem epic poetry expression Falstaff figure figure of speech Fingal garden Give an example Give examples grandeur grief hath heaven Hence HENRY VI.-ACT ILIAD imagination imitation impression Jane Shore jects kind king language less light Macbeth manner means melody metaphor mind motion Mozambic nature never novelty object observed ornament Ossian painful Paradise Lost pause person personification pity pleasant pleasure principle proper reader reason regularity relation relish resemblance respect rhyme RICHARD II.-ACT ridicule riety rule sense sensible sentiments Shakspeare simile sion sort sound species spectator speech sublime syllables taste termed thee things thou thought tion tragedy unity variety verse words writers