An Abridgment of Elements of CriticismHaswell, Barrington & Haswell, 1830 - 300 |
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Strona v
... Force .... 6. Novelty , and the unexpected appearance of ob- jects .... 7. Risible Objects ..... 8. Resemblance and Dissimilitude . 9. Uniformity and Variety . 76 31 36 40 229 24 484 CERRO 45 46 50 55 64 67 71 72 10. Congruity and ...
... Force .... 6. Novelty , and the unexpected appearance of ob- jects .... 7. Risible Objects ..... 8. Resemblance and Dissimilitude . 9. Uniformity and Variety . 76 31 36 40 229 24 484 CERRO 45 46 50 55 64 67 71 72 10. Congruity and ...
Strona vii
... force of novelty and the heat of imagination : but in time they lose their relish , and are generally neglected in the maturity of life , which dis- poses to more serious and more important occupations . To those who deal in criticism ...
... force of novelty and the heat of imagination : but in time they lose their relish , and are generally neglected in the maturity of life , which dis- poses to more serious and more important occupations . To those who deal in criticism ...
Strona 17
... force , fluency of a river . The internal qualities , power , discernment , wit , mildness , sympathy , courage , benevolence , are agreea- ble in a high degree , and instantaneously excite plea- sant emotions . The opposite qualities ...
... force , fluency of a river . The internal qualities , power , discernment , wit , mildness , sympathy , courage , benevolence , are agreea- ble in a high degree , and instantaneously excite plea- sant emotions . The opposite qualities ...
Strona 42
... force them into a sort of complex emotion , partly pleasant , partly painful . This clearly explains some expres- sions common in poetry , as a sweet distress , a pleasant pain . REVIEW . What sounds are concordant ? What is their ...
... force them into a sort of complex emotion , partly pleasant , partly painful . This clearly explains some expres- sions common in poetry , as a sweet distress , a pleasant pain . REVIEW . What sounds are concordant ? What is their ...
Strona 43
... forces the mind to personify a stock or stone , if it hap- pen to occasion bodily pain , and even to believe it a voluntary agent , in order to be a proper object of re- sentment . Of such personification , involving a conviction of ...
... forces the mind to personify a stock or stone , if it hap- pen to occasion bodily pain , and even to believe it a voluntary agent , in order to be a proper object of re- sentment . Of such personification , involving a conviction of ...
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accent action Æneid agreeable allegory appear arts beauty blank verse burlesque capital cause circumstances comparison congruity connexion criticism dignity disagreeable distinguished doth effect elevated ELOISA TO ABELARD emotions and passions emotions raised epic poem epic poetry expression Falstaff figure figure of speech Fingal garden Give an example Give examples grandeur grief hath heaven Hence HENRY VI.-ACT ILIAD imagination imitation impression Jane Shore jects kind king language less light Macbeth manner means melody metaphor mind motion Mozambic nature never novelty object observed ornament Ossian painful Paradise Lost pause person personification pity pleasant pleasure principle proper reader reason regularity relation relish resemblance respect rhyme RICHARD II.-ACT ridicule riety rule sense sensible sentiments Shakspeare simile sion sort sound species spectator speech sublime syllables taste termed thee things thou thought tion tragedy unity variety verse words writers