An Abridgment of Elements of CriticismHaswell, Barrington & Haswell, 1830 - 300 |
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Strona 51
... expression is the subject of a following chapter , this chapter is confined to beauty in its proper signifi- cation . It is natural to suppose , that a perception so various as that of beauty , comprehending sometimes many particulars ...
... expression is the subject of a following chapter , this chapter is confined to beauty in its proper signifi- cation . It is natural to suppose , that a perception so various as that of beauty , comprehending sometimes many particulars ...
Strona 58
... expressions , are characterized in the same manner : an expression or sentiment that raises the mind is denominated great or elevated ; and hence the SUBLIME in poetry . In such figurative terms , we lose the distinction between great ...
... expressions , are characterized in the same manner : an expression or sentiment that raises the mind is denominated great or elevated ; and hence the SUBLIME in poetry . In such figurative terms , we lose the distinction between great ...
Strona 63
... the term beauty extended to intellectual and moral objects ? What is a low emotion ? What is the effect of a great sentiment or expression on the mind ? What arises hence ? What is a climax ? What GRANDEUR AND SUBLIMITY . 63.
... the term beauty extended to intellectual and moral objects ? What is a low emotion ? What is the effect of a great sentiment or expression on the mind ? What arises hence ? What is a climax ? What GRANDEUR AND SUBLIMITY . 63.
Strona 66
... expressing dig- nity , others meanness . But the pleasure here , arising not singly from the beauty of motion , but from indi- cating character and sentiment , belongs to different chapters . I should conclude with the final cause of ...
... expressing dig- nity , others meanness . But the pleasure here , arising not singly from the beauty of motion , but from indi- cating character and sentiment , belongs to different chapters . I should conclude with the final cause of ...
Strona 83
... expressions ; nor is even the slightest impro- priety suffered to pass without some degree of con- tempt . But there are improprieties of the slighter kind , that provoke laughter ; of which we have ex- amples without end in the ...
... expressions ; nor is even the slightest impro- priety suffered to pass without some degree of con- tempt . But there are improprieties of the slighter kind , that provoke laughter ; of which we have ex- amples without end in the ...
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accent action Æneid agreeable allegory appear arts beauty blank verse burlesque capital cause circumstances comparison congruity connexion criticism dignity disagreeable distinguished doth effect elevated ELOISA TO ABELARD emotions and passions emotions raised epic poem epic poetry expression Falstaff figure figure of speech Fingal garden Give an example Give examples grandeur grief hath heaven Hence HENRY VI.-ACT ILIAD imagination imitation impression Jane Shore jects kind king language less light Macbeth manner means melody metaphor mind motion Mozambic nature never novelty object observed ornament Ossian painful Paradise Lost pause person personification pity pleasant pleasure principle proper reader reason regularity relation relish resemblance respect rhyme RICHARD II.-ACT ridicule riety rule sense sensible sentiments Shakspeare simile sion sort sound species spectator speech sublime syllables taste termed thee things thou thought tion tragedy unity variety verse words writers