An Abridgment of Elements of CriticismHaswell, Barrington & Haswell, 1830 - 300 |
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Strona vi
... Comparisons .. 20. Figures ... . . . . Sect . 1. Personification .. ib . 134 145 147 161 181 182 2. Apostrophe .... 196 3. Hyperbole ... .... 198 4. The Means or Instrument conceived to be the Agent .... ..... 201 5. A Figure , which ...
... Comparisons .. 20. Figures ... . . . . Sect . 1. Personification .. ib . 134 145 147 161 181 182 2. Apostrophe .... 196 3. Hyperbole ... .... 198 4. The Means or Instrument conceived to be the Agent .... ..... 201 5. A Figure , which ...
Strona 14
... comparison between the syn- thetic and analytic methods of reasoning . The syn- thetic , descending from principles to consequences , is more agreeable to the strictness of order ; in the analytic we feel the pleasure of mounting ...
... comparison between the syn- thetic and analytic methods of reasoning . The syn- thetic , descending from principles to consequences , is more agreeable to the strictness of order ; in the analytic we feel the pleasure of mounting ...
Strona 74
... comparison , is so familiar , that no philoso- pher has thought of searching for a cause ; which is simply the influence of passion over our opinions . The greatest disparity between objects of different kinds , is so common as to be ...
... comparison , is so familiar , that no philoso- pher has thought of searching for a cause ; which is simply the influence of passion over our opinions . The greatest disparity between objects of different kinds , is so common as to be ...
Strona 76
... comparison on the passions ? -on opinions ? Give an example . Exemplify the effect of contrast . The opposite ... comparisons and similies ? How do emotions make the greatest figure ? How should their succession be regulated ? Give ...
... comparison on the passions ? -on opinions ? Give an example . Exemplify the effect of contrast . The opposite ... comparisons and similies ? How do emotions make the greatest figure ? How should their succession be regulated ? Give ...
Strona 102
... comparison between the ancients and the moderns was some time ago a fa- vorite subject ; those who declared for ancient man- ners thought it sufficient that these manners were supported by custom : their antagonists , on the other hand ...
... comparison between the ancients and the moderns was some time ago a fa- vorite subject ; those who declared for ancient man- ners thought it sufficient that these manners were supported by custom : their antagonists , on the other hand ...
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accent action Æneid agreeable allegory appear arts beauty blank verse burlesque capital cause circumstances comparison congruity connexion criticism dignity disagreeable distinguished doth effect elevated ELOISA TO ABELARD emotions and passions emotions raised epic poem epic poetry expression Falstaff figure figure of speech Fingal garden Give an example Give examples grandeur grief hath heaven Hence HENRY VI.-ACT ILIAD imagination imitation impression Jane Shore jects kind king language less light Macbeth manner means melody metaphor mind motion Mozambic nature never novelty object observed ornament Ossian painful Paradise Lost pause person personification pity pleasant pleasure principle proper reader reason regularity relation relish resemblance respect rhyme RICHARD II.-ACT ridicule riety rule sense sensible sentiments Shakspeare simile sion sort sound species spectator speech sublime syllables taste termed thee things thou thought tion tragedy unity variety verse words writers