King LearApplause Books, 1996 - 220 (Applause Books). These popular editions allow the reader and student to look beyond the scholarly reading text to the more sensuous, more collaborative, more malleable performance text which emerges in conjunction with the commentary and notes. Each note, each gloss, each commentary reflects the stage life of the play with constant reference to the challenge of the text in performance. Readers will not only discover an enlivened Shakespeare, they will be empowered to rehearse and direct their own productions of the imagination in the process. |
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Strona xv
... whole gallery of specters . King Lear , like the others , has many references to the gods , whose influence its characters pray for or consciously defy , but this tragedy has no irrefutable and independent manifestation of the ...
... whole gallery of specters . King Lear , like the others , has many references to the gods , whose influence its characters pray for or consciously defy , but this tragedy has no irrefutable and independent manifestation of the ...
Strona xvi
... whole of their parts with aching bosoms and streaming eyes . After Kean and Macready , Samuel Phelps ( 1804–78 ) , Edwin Forrest ( 1806–72 ) , and Henry Irving ( 1838-1905 ) reintroduced more and more of Shakespeare's text and each ...
... whole of their parts with aching bosoms and streaming eyes . After Kean and Macready , Samuel Phelps ( 1804–78 ) , Edwin Forrest ( 1806–72 ) , and Henry Irving ( 1838-1905 ) reintroduced more and more of Shakespeare's text and each ...
Strona 185
... whole sentence thoroughly formed / written develop and to draw them together ; and so now , in its last moments , after the doctor's warning of further “ danger ” ( 1. 79 ) , the audience's attention is intense . How strongly does Lear ...
... whole sentence thoroughly formed / written develop and to draw them together ; and so now , in its last moments , after the doctor's warning of further “ danger ” ( 1. 79 ) , the audience's attention is intense . How strongly does Lear ...
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actor Alack Albany Albany's answer Anthony Hopkins arms attention audience Burgundy cester Charles Laughton Cordelia CORNWALL curse danger daughters David Garrick death disguise dost duke Duke of Cornwall echo Edgar Edmund Exeunt Exit eyes F omits father fear feeling fiend follow fool fool's fortune France GENTLEMAN give Glou Gloucester Gloucester's gods half-line hast hath hear heart heavens Henry Irving incomplete verse-line James Earl Jones John Gielgud Kent Kent's kill King Lear knave kneels Lear's leaves letter look lord madam master messenger mind night nuncle Old Vic OSWALD pain pause perhaps Peter Brook pity play poor Poor Tom Pray probably question reply scene servant sexual Shakespeare silent sister soliloquy speak speech spoken stage stands storm Stratford-upon-Avon suffering sword talk tears thee thine thou thoughts tion tragedy trumpet turns villain voice weep words