King LearApplause Books, 1996 - 220 (Applause Books). These popular editions allow the reader and student to look beyond the scholarly reading text to the more sensuous, more collaborative, more malleable performance text which emerges in conjunction with the commentary and notes. Each note, each gloss, each commentary reflects the stage life of the play with constant reference to the challenge of the text in performance. Readers will not only discover an enlivened Shakespeare, they will be empowered to rehearse and direct their own productions of the imagination in the process. |
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Strona 27
... turns to astrology as yet another precursor of doom , perhaps in obvi- ous desperation , or possibly as a way of keeping a good opinion of his own intelligence . The anxieties Gloucester describes were oper- ative in Shakespeare's own ...
... turns to astrology as yet another precursor of doom , perhaps in obvi- ous desperation , or possibly as a way of keeping a good opinion of his own intelligence . The anxieties Gloucester describes were oper- ative in Shakespeare's own ...
Strona 49
... turns away and Goneril pauses before con- tinuing , unshaken , with a more succinct denunciation of both Lear and his followers ( II . 231-32 ) . She is then silent ( see the half - line , 232 ) ; and when Albany enters he probably goes ...
... turns away and Goneril pauses before con- tinuing , unshaken , with a more succinct denunciation of both Lear and his followers ( II . 231-32 ) . She is then silent ( see the half - line , 232 ) ; and when Albany enters he probably goes ...
Strona 91
... turn away to question Oswald as soon as he enters ; they need to align themselves with Gone- ril . This effrontery ... turns now to Goneril and meets her silent challenge with words of disbelief , reproof , outrage , anger . And while ...
... turn away to question Oswald as soon as he enters ; they need to align themselves with Gone- ril . This effrontery ... turns now to Goneril and meets her silent challenge with words of disbelief , reproof , outrage , anger . And while ...
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action actor Albany answer appear arms asks attention audience authority become breaks bring character close comes Cordelia CORNWALL danger daughters death draw duke Edgar Edmund effect Enter Exit eyes face fall father fear feeling fiend follow fool fortune France further give Gloucester Gloucester's gods Goneril hand hath head hear heart hold immediately keep Kent kill king Lear Lear's leaves letter live look lord master means mind nature never night offer omits once OSWALD pain pause performance perhaps play poor probably question Regan response scene seems sense servant Shakespeare silent sister speak speech spoken stage stands storm suffering suggests talk tears tell thee thing thou thoughts tion tries true turns voice whole