King LearApplause Books, 1996 - 220 (Applause Books). These popular editions allow the reader and student to look beyond the scholarly reading text to the more sensuous, more collaborative, more malleable performance text which emerges in conjunction with the commentary and notes. Each note, each gloss, each commentary reflects the stage life of the play with constant reference to the challenge of the text in performance. Readers will not only discover an enlivened Shakespeare, they will be empowered to rehearse and direct their own productions of the imagination in the process. |
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Strona 97
... tears ; perhaps just before this , or a moment later , he does weep . When the storm in the skies also breaks out , there is a pause as everyone submits to the noise . Then Lear continues quietly . He has recognized the storm's ...
... tears ; perhaps just before this , or a moment later , he does weep . When the storm in the skies also breaks out , there is a pause as everyone submits to the noise . Then Lear continues quietly . He has recognized the storm's ...
Strona 153
... tear , viewed in close - up , as Cordelia stood silently reading and holding herself in check . When Kent makes a very obvious comment ( I. 15 ) —is he " moved " to tears too ? -the gentleman still holds back from recounting Cordelia's ...
... tear , viewed in close - up , as Cordelia stood silently reading and holding herself in check . When Kent makes a very obvious comment ( I. 15 ) —is he " moved " to tears too ? -the gentleman still holds back from recounting Cordelia's ...
Strona 205
... tears / come to an end complete sentence / conclusion describe too fully 178-98 Only the end of Edgar's narrative contains news for the audience , and so the speech is often cut greatly for performance . But it is printed in both the ...
... tears / come to an end complete sentence / conclusion describe too fully 178-98 Only the end of Edgar's narrative contains news for the audience , and so the speech is often cut greatly for performance . But it is printed in both the ...
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action actor Albany answer appear arms asks attention audience authority become breaks bring character close comes Cordelia CORNWALL danger daughters death draw duke Edgar Edmund effect Enter Exit eyes face fall father fear feeling fiend follow fool fortune France further give Gloucester Gloucester's gods Goneril hand hath head hear heart hold immediately keep Kent kill king Lear Lear's leaves letter live look lord master means mind nature never night offer omits once OSWALD pain pause performance perhaps play poor probably question Regan response scene seems sense servant Shakespeare silent sister speak speech spoken stage stands storm suffering suggests talk tears tell thee thing thou thoughts tion tries true turns voice whole