King LearApplause Books, 1996 - 220 (Applause Books). These popular editions allow the reader and student to look beyond the scholarly reading text to the more sensuous, more collaborative, more malleable performance text which emerges in conjunction with the commentary and notes. Each note, each gloss, each commentary reflects the stage life of the play with constant reference to the challenge of the text in performance. Readers will not only discover an enlivened Shakespeare, they will be empowered to rehearse and direct their own productions of the imagination in the process. |
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Strona 137
... stand intend to do vant intervenes : this is a total surprise , against social and dramatic expectation . The ... stands up to Regan with words precisely appropri- ate to the indignity he has seen her inflict on Glou- cester . The ...
... stand intend to do vant intervenes : this is a total surprise , against social and dramatic expectation . The ... stands up to Regan with words precisely appropri- ate to the indignity he has seen her inflict on Glou- cester . The ...
Strona 157
... stands syntactically on its own and , if taken literally , is arrestingly sweeping in its promise of reward ; by over - stating present intentions , it may be a conscious echoing by Cor- delia of Act I , scene i , when she had dared to ...
... stands syntactically on its own and , if taken literally , is arrestingly sweeping in its promise of reward ; by over - stating present intentions , it may be a conscious echoing by Cor- delia of Act I , scene i , when she had dared to ...
Strona 179
... stands alone and blind , visibly stricken with grief ; he has not understood , or has not heard , anything of Edgar's last speech . A drum is heard , far off ; so Edgar hurries to Gloucester offering support and guidance to safety ...
... stands alone and blind , visibly stricken with grief ; he has not understood , or has not heard , anything of Edgar's last speech . A drum is heard , far off ; so Edgar hurries to Gloucester offering support and guidance to safety ...
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action actor Albany answer appear arms asks attention audience authority become breaks bring character close comes Cordelia CORNWALL danger daughters death draw duke Edgar Edmund effect Enter Exit eyes face fall father fear feeling fiend follow fool fortune France further give Gloucester Gloucester's gods Goneril hand hath head hear heart hold immediately keep Kent kill king Lear Lear's leaves letter live look lord master means mind nature never night offer omits once OSWALD pain pause performance perhaps play poor probably question Regan response scene seems sense servant Shakespeare silent sister speak speech spoken stage stands storm suffering suggests talk tears tell thee thing thou thoughts tion tries true turns voice whole