King LearApplause Books, 1996 - 220 (Applause Books). These popular editions allow the reader and student to look beyond the scholarly reading text to the more sensuous, more collaborative, more malleable performance text which emerges in conjunction with the commentary and notes. Each note, each gloss, each commentary reflects the stage life of the play with constant reference to the challenge of the text in performance. Readers will not only discover an enlivened Shakespeare, they will be empowered to rehearse and direct their own productions of the imagination in the process. |
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Strona 135
... servants under silent instructions , or by Regan herself . The half - truth of lines 47-49 collapses quickly , and then ... servant responds boldly on his behalf . Peter Brook , in his 1962 production , took the hint of line 68 and gave ...
... servants under silent instructions , or by Regan herself . The half - truth of lines 47-49 collapses quickly , and then ... servant responds boldly on his behalf . Peter Brook , in his 1962 production , took the hint of line 68 and gave ...
Strona 136
... SERVANT If you did wear a beard upon your chin , I'd shake it on this quarrel . What do you mean ? ° CORNWALL My villain ! ° [ They draw and fight . ] FIRST SERVANT Nay then , come on , and take the chance of anger . REGAN Give me thy ...
... SERVANT If you did wear a beard upon your chin , I'd shake it on this quarrel . What do you mean ? ° CORNWALL My villain ! ° [ They draw and fight . ] FIRST SERVANT Nay then , come on , and take the chance of anger . REGAN Give me thy ...
Strona 137
... servant cries out in pain and dies , his words prompt the completion of Gloucester's blinding . Cornwall speaks ... servants , in abso- lute quiet , reestablish humane responses . They are appalled and count the consequences as they try ...
... servant cries out in pain and dies , his words prompt the completion of Gloucester's blinding . Cornwall speaks ... servants , in abso- lute quiet , reestablish humane responses . They are appalled and count the consequences as they try ...
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action actor Albany answer appear arms asks attention audience authority become breaks bring character close comes Cordelia CORNWALL danger daughters death draw duke Edgar Edmund effect Enter Exit eyes face fall father fear feeling fiend follow fool fortune France further give Gloucester Gloucester's gods Goneril hand hath head hear heart hold immediately keep Kent kill king Lear Lear's leaves letter live look lord master means mind nature never night offer omits once OSWALD pain pause performance perhaps play poor probably question Regan response scene seems sense servant Shakespeare silent sister speak speech spoken stage stands storm suffering suggests talk tears tell thee thing thou thoughts tion tries true turns voice whole