King LearApplause Books, 1996 - 220 (Applause Books). These popular editions allow the reader and student to look beyond the scholarly reading text to the more sensuous, more collaborative, more malleable performance text which emerges in conjunction with the commentary and notes. Each note, each gloss, each commentary reflects the stage life of the play with constant reference to the challenge of the text in performance. Readers will not only discover an enlivened Shakespeare, they will be empowered to rehearse and direct their own productions of the imagination in the process. |
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Strona 34
... poor as the king . LEAR If thou be'st as poor for a subject as he's for a king , thou art poor enough . What wouldst thou ? KENT Service . LEAR Who wouldst thou serve ? KENT YOU . LEAR Dost thou know me , fellow ? 15 20 20 KENT No , sir ...
... poor as the king . LEAR If thou be'st as poor for a subject as he's for a king , thou art poor enough . What wouldst thou ? KENT Service . LEAR Who wouldst thou serve ? KENT YOU . LEAR Dost thou know me , fellow ? 15 20 20 KENT No , sir ...
Strona 112
... Poor naked wretches , wheresoe'er you are , That bide the pelting of this pitiless storm , Exit [ FOOL ] . How shall ... Poor Tom ! Enter FOOL . FOOL Come not in here nuncle ; here's a spirit . Help me , help me ! KENT Give me thy hand ...
... Poor naked wretches , wheresoe'er you are , That bide the pelting of this pitiless storm , Exit [ FOOL ] . How shall ... Poor Tom ! Enter FOOL . FOOL Come not in here nuncle ; here's a spirit . Help me , help me ! KENT Give me thy hand ...
Strona 119
... poor naked wretch , " or " poor , bare forked animal , " who is both Edgar and Tom . Perhaps he has recognized the suf- fering expressed in " poor Tom's a - cold " ( I. 133 ) ; compared with Gloucester's attempt to explain his own ...
... poor naked wretch , " or " poor , bare forked animal , " who is both Edgar and Tom . Perhaps he has recognized the suf- fering expressed in " poor Tom's a - cold " ( I. 133 ) ; compared with Gloucester's attempt to explain his own ...
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action actor Albany answer appear arms asks attention audience authority become breaks bring character close comes Cordelia CORNWALL danger daughters death draw duke Edgar Edmund effect Enter Exit eyes face fall father fear feeling fiend follow fool fortune France further give Gloucester Gloucester's gods Goneril hand hath head hear heart hold immediately keep Kent kill king Lear Lear's leaves letter live look lord master means mind nature never night offer omits once OSWALD pain pause performance perhaps play poor probably question Regan response scene seems sense servant Shakespeare silent sister speak speech spoken stage stands storm suffering suggests talk tears tell thee thing thou thoughts tion tries true turns voice whole