King LearApplause Books, 1996 - 220 (Applause Books). These popular editions allow the reader and student to look beyond the scholarly reading text to the more sensuous, more collaborative, more malleable performance text which emerges in conjunction with the commentary and notes. Each note, each gloss, each commentary reflects the stage life of the play with constant reference to the challenge of the text in performance. Readers will not only discover an enlivened Shakespeare, they will be empowered to rehearse and direct their own productions of the imagination in the process. |
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Strona 7
... pauses that play up , consciously , the drama of the situation . 51-78 The half - line 50 implies a hushed pause before Goneril answers , but both she and Regan can speak as if their speeches have been prepared beforehand : parallel ...
... pauses that play up , consciously , the drama of the situation . 51-78 The half - line 50 implies a hushed pause before Goneril answers , but both she and Regan can speak as if their speeches have been prepared beforehand : parallel ...
Strona 81
... pauses to recover breath ) immediately retainers recently showed off * at once more courage than discretion awoke 15-23 ... pause , in which Lear may either try in vain to reply , or stand as if stunned , or look away . The fool , taking ...
... pauses to recover breath ) immediately retainers recently showed off * at once more courage than discretion awoke 15-23 ... pause , in which Lear may either try in vain to reply , or stand as if stunned , or look away . The fool , taking ...
Strona 159
... pause ) can be laughably frightened ( in view of his earlier cow- ardice ) ; or it can be part of a waiting game , cal- culated to draw further disclosures from Regan . 29-40 Regan now speaks more directly , instructing Oswald how to ...
... pause ) can be laughably frightened ( in view of his earlier cow- ardice ) ; or it can be part of a waiting game , cal- culated to draw further disclosures from Regan . 29-40 Regan now speaks more directly , instructing Oswald how to ...
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actor Alack Albany Albany's answer Anthony Hopkins arms attention audience Burgundy cester Charles Laughton Cordelia CORNWALL curse danger daughters David Garrick death disguise dost duke Duke of Cornwall echo Edgar Edmund Exeunt Exit eyes F omits father fear feeling fiend follow fool fool's fortune France GENTLEMAN give Glou Gloucester Gloucester's gods half-line hast hath hear heart heavens Henry Irving incomplete verse-line James Earl Jones John Gielgud Kent Kent's kill King Lear knave kneels Lear's leaves letter look lord madam master messenger mind night nuncle Old Vic OSWALD pain pause perhaps Peter Brook pity play poor Poor Tom Pray probably question reply scene servant sexual Shakespeare silent sister soliloquy speak speech spoken stage stands storm Stratford-upon-Avon suffering sword talk tears thee thine thou thoughts tion tragedy trumpet turns villain voice weep words