King LearApplause Books, 1996 - 220 (Applause Books). These popular editions allow the reader and student to look beyond the scholarly reading text to the more sensuous, more collaborative, more malleable performance text which emerges in conjunction with the commentary and notes. Each note, each gloss, each commentary reflects the stage life of the play with constant reference to the challenge of the text in performance. Readers will not only discover an enlivened Shakespeare, they will be empowered to rehearse and direct their own productions of the imagination in the process. |
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Strona ix
... king , and subsequently emperor of all the known world ; it then proceeded to show his " fall " : the loss of his empress , Zenocrate ; his own madness and sickness ; and his death , when he was forced to relinquish all power to his son ...
... king , and subsequently emperor of all the known world ; it then proceeded to show his " fall " : the loss of his empress , Zenocrate ; his own madness and sickness ; and his death , when he was forced to relinquish all power to his son ...
Strona xv
... King Lear presents human beings isolated in a world they cannot control and without any help but their own . King Lear's history in the theatre after its first Jacobean performances shows that audiences were unwilling at first to ...
... King Lear presents human beings isolated in a world they cannot control and without any help but their own . King Lear's history in the theatre after its first Jacobean performances shows that audiences were unwilling at first to ...
Strona xvi
... King Lear has been produced much more frequently . The most notable interpreters of Lear himself have included John ... King Lear at the Lyceum ( 1893 ) , hereafter cited as Lear at the Lyceum . 3. All but the latest performances are ...
... King Lear has been produced much more frequently . The most notable interpreters of Lear himself have included John ... King Lear at the Lyceum ( 1893 ) , hereafter cited as Lear at the Lyceum . 3. All but the latest performances are ...
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action actor Albany answer appear arms asks attention audience authority become breaks bring character close comes Cordelia CORNWALL danger daughters death draw duke Edgar Edmund effect Enter Exit eyes face fall father fear feeling fiend follow fool fortune France further give Gloucester Gloucester's gods Goneril hand hath head hear heart hold immediately keep Kent kill king Lear Lear's leaves letter live look lord master means mind nature never night offer omits once OSWALD pain pause performance perhaps play poor probably question Regan response scene seems sense servant Shakespeare silent sister speak speech spoken stage stands storm suffering suggests talk tears tell thee thing thou thoughts tion tries true turns voice whole