King LearApplause Books, 1996 - 220 (Applause Books). These popular editions allow the reader and student to look beyond the scholarly reading text to the more sensuous, more collaborative, more malleable performance text which emerges in conjunction with the commentary and notes. Each note, each gloss, each commentary reflects the stage life of the play with constant reference to the challenge of the text in performance. Readers will not only discover an enlivened Shakespeare, they will be empowered to rehearse and direct their own productions of the imagination in the process. |
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Strona vi
... further than any of these . It does the usual tasks expected of a responsible , modern edition , but adds a very spe- cial feature : a continuous commentary on the text by a professional director or a leading actor that considers the ...
... further than any of these . It does the usual tasks expected of a responsible , modern edition , but adds a very spe- cial feature : a continuous commentary on the text by a professional director or a leading actor that considers the ...
Strona 63
... further action and so to take advantage of this unforeseen event . Then he turns in trust and admiration to Edmund . In performance , father and son often embrace ; Gloucester is deeply moved , but some directors contrive a visual echo ...
... further action and so to take advantage of this unforeseen event . Then he turns in trust and admiration to Edmund . In performance , father and son often embrace ; Gloucester is deeply moved , but some directors contrive a visual echo ...
Strona 217
... further quarto ( Q2 ) was printed from this in 1619 , but when the play was included in the First Folio ( F ) , the complete edition of Shakespeare's Comedies , Histories , & Tragedies published in 1623 , a new manuscript was made ...
... further quarto ( Q2 ) was printed from this in 1619 , but when the play was included in the First Folio ( F ) , the complete edition of Shakespeare's Comedies , Histories , & Tragedies published in 1623 , a new manuscript was made ...
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action actor Albany answer appear arms asks attention audience authority become breaks bring character close comes Cordelia CORNWALL danger daughters death draw duke Edgar Edmund effect Enter Exit eyes face fall father fear feeling fiend follow fool fortune France further give Gloucester Gloucester's gods Goneril hand hath head hear heart hold immediately keep Kent kill king Lear Lear's leaves letter live look lord master means mind nature never night offer omits once OSWALD pain pause performance perhaps play poor probably question Regan response scene seems sense servant Shakespeare silent sister speak speech spoken stage stands storm suffering suggests talk tears tell thee thing thou thoughts tion tries true turns voice whole