King LearApplause Books, 1996 - 220 (Applause Books). These popular editions allow the reader and student to look beyond the scholarly reading text to the more sensuous, more collaborative, more malleable performance text which emerges in conjunction with the commentary and notes. Each note, each gloss, each commentary reflects the stage life of the play with constant reference to the challenge of the text in performance. Readers will not only discover an enlivened Shakespeare, they will be empowered to rehearse and direct their own productions of the imagination in the process. |
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Strona 17
... become monstrous * must become suspect / corrupted while there is still time if it is because I lack propose to do for want of which continuously entreating reticence in natural feelings last at the " conditions " pressed on him ...
... become monstrous * must become suspect / corrupted while there is still time if it is because I lack propose to do for want of which continuously entreating reticence in natural feelings last at the " conditions " pressed on him ...
Strona 69
... becomes tense : he is in danger . Line 30 can still be reasonable , but when Kent disparages Goneril and repeats his call ... become violent . Whereas Kent keeps on finding words to chas- tise his victim to the very end , Oswald has only ...
... becomes tense : he is in danger . Line 30 can still be reasonable , but when Kent disparages Goneril and repeats his call ... become violent . Whereas Kent keeps on finding words to chas- tise his victim to the very end , Oswald has only ...
Strona 213
... become very , very slow in performance and so , perhaps , Lear should speak more lightly and quickly than Kent , protected by his recurring craziness . At line 290 , Albany intervenes to say what has become clear to everyone , that ...
... become very , very slow in performance and so , perhaps , Lear should speak more lightly and quickly than Kent , protected by his recurring craziness . At line 290 , Albany intervenes to say what has become clear to everyone , that ...
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actor Alack Albany Albany's answer Anthony Hopkins arms attention audience Burgundy cester Charles Laughton Cordelia CORNWALL curse danger daughters David Garrick death disguise dost duke Duke of Cornwall echo Edgar Edmund Exeunt Exit eyes F omits father fear feeling fiend follow fool fool's fortune France GENTLEMAN give Glou Gloucester Gloucester's gods half-line hast hath hear heart heavens Henry Irving incomplete verse-line James Earl Jones John Gielgud Kent Kent's kill King Lear knave kneels Lear's leaves letter look lord madam master messenger mind night nuncle Old Vic OSWALD pain pause perhaps Peter Brook pity play poor Poor Tom Pray probably question reply scene servant sexual Shakespeare silent sister soliloquy speak speech spoken stage stands storm Stratford-upon-Avon suffering sword talk tears thee thine thou thoughts tion tragedy trumpet turns villain voice weep words