King LearApplause Books, 1996 - 220 (Applause Books). These popular editions allow the reader and student to look beyond the scholarly reading text to the more sensuous, more collaborative, more malleable performance text which emerges in conjunction with the commentary and notes. Each note, each gloss, each commentary reflects the stage life of the play with constant reference to the challenge of the text in performance. Readers will not only discover an enlivened Shakespeare, they will be empowered to rehearse and direct their own productions of the imagination in the process. |
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Strona iv
William Shakespeare John Russell Brown. The Applause Shakespeare Library Titles now Available : King Lear Macbeth A Midsummer Night's Dream The Tempest Other Titles in Preparation Antony and Cleopatra Hamlet Henry V Julius Caesar Measure ...
William Shakespeare John Russell Brown. The Applause Shakespeare Library Titles now Available : King Lear Macbeth A Midsummer Night's Dream The Tempest Other Titles in Preparation Antony and Cleopatra Hamlet Henry V Julius Caesar Measure ...
Strona xv
William Shakespeare John Russell Brown. old lecher's heart " and " all the rest " of the body1 - the great tragedy came painfully close to the day - by - day , matter - of - fact experience of the people who sat and stood in the ...
William Shakespeare John Russell Brown. old lecher's heart " and " all the rest " of the body1 - the great tragedy came painfully close to the day - by - day , matter - of - fact experience of the people who sat and stood in the ...
Strona xvi
William Shakespeare John Russell Brown. Thereafter , Shakespeare's text never yielded to Tate's emasculation . David Garrick ( 1717–79 ) , in his own version of Tate's version , was the first actor to set his individual stamp on the ...
William Shakespeare John Russell Brown. Thereafter , Shakespeare's text never yielded to Tate's emasculation . David Garrick ( 1717–79 ) , in his own version of Tate's version , was the first actor to set his individual stamp on the ...
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action actor Albany answer appear arms asks attention audience authority become breaks bring character close comes Cordelia CORNWALL danger daughters death draw duke Edgar Edmund effect Enter Exit eyes face fall father fear feeling fiend follow fool fortune France further give Gloucester Gloucester's gods Goneril hand hath head hear heart hold immediately keep Kent kill king Lear Lear's leaves letter live look lord master means mind nature never night offer omits once OSWALD pain pause performance perhaps play poor probably question Regan response scene seems sense servant Shakespeare silent sister speak speech spoken stage stands storm suffering suggests talk tears tell thee thing thou thoughts tion tries true turns voice whole