King LearApplause Books, 1996 - 220 (Applause Books). These popular editions allow the reader and student to look beyond the scholarly reading text to the more sensuous, more collaborative, more malleable performance text which emerges in conjunction with the commentary and notes. Each note, each gloss, each commentary reflects the stage life of the play with constant reference to the challenge of the text in performance. Readers will not only discover an enlivened Shakespeare, they will be empowered to rehearse and direct their own productions of the imagination in the process. |
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Strona 66
... OSWALD , severally . OSWALD Good dawning to thee , friend . Art of this house ? ° KENT Ay . OSWALD Where may we set our horses ? KENT I ' th ' mire . OSWALD Prithee , if thou lovest me , tell me . KENT I love thee not . OSWALD Why then ...
... OSWALD , severally . OSWALD Good dawning to thee , friend . Art of this house ? ° KENT Ay . OSWALD Where may we set our horses ? KENT I ' th ' mire . OSWALD Prithee , if thou lovest me , tell me . KENT I love thee not . OSWALD Why then ...
Strona 69
... Oswald again here - and draws his sword , Oswald becomes tense : he is in danger . Line 30 can still be reasonable , but when Kent disparages Goneril and repeats his call to " draw , " Oswald cries out and tries to escape . Some Oswalds ...
... Oswald again here - and draws his sword , Oswald becomes tense : he is in danger . Line 30 can still be reasonable , but when Kent disparages Goneril and repeats his call to " draw , " Oswald cries out and tries to escape . Some Oswalds ...
Strona 159
... Oswald is waiting for per- mission to go ; Regan might be seated , or walking up and down , uncertain how much she can trust him . dark ( blinded ) reconnoiter convey her intentions recently amorous glances ( Fr .; affected ) in her ...
... Oswald is waiting for per- mission to go ; Regan might be seated , or walking up and down , uncertain how much she can trust him . dark ( blinded ) reconnoiter convey her intentions recently amorous glances ( Fr .; affected ) in her ...
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action actor Albany answer appear arms asks attention audience authority become breaks bring character close comes Cordelia CORNWALL danger daughters death draw duke Edgar Edmund effect Enter Exit eyes face fall father fear feeling fiend follow fool fortune France further give Gloucester Gloucester's gods Goneril hand hath head hear heart hold immediately keep Kent kill king Lear Lear's leaves letter live look lord master means mind nature never night offer omits once OSWALD pain pause performance perhaps play poor probably question Regan response scene seems sense servant Shakespeare silent sister speak speech spoken stage stands storm suffering suggests talk tears tell thee thing thou thoughts tion tries true turns voice whole