King LearApplause Books, 1996 - 220 (Applause Books). These popular editions allow the reader and student to look beyond the scholarly reading text to the more sensuous, more collaborative, more malleable performance text which emerges in conjunction with the commentary and notes. Each note, each gloss, each commentary reflects the stage life of the play with constant reference to the challenge of the text in performance. Readers will not only discover an enlivened Shakespeare, they will be empowered to rehearse and direct their own productions of the imagination in the process. |
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Strona 8
... CORDELIA Nothing , my lord . LEAR Nothing ? CORDELIA Nothing . LEAR Nothing will come of nothing . Speak again . CORDELIA Unhappy that I am , I cannot heave My heart into my mouth . I love your majesty According to my bond , ° no more ...
... CORDELIA Nothing , my lord . LEAR Nothing ? CORDELIA Nothing . LEAR Nothing will come of nothing . Speak again . CORDELIA Unhappy that I am , I cannot heave My heart into my mouth . I love your majesty According to my bond , ° no more ...
Strona 9
... CORDELIA So young , my lord , and true . only made happy * serious / weighty * ( see line 51 ) value smallest / last in precedence i.e. , pastures to have a right win bounden duty totally agrees heartless ( pun on tender : youthful ) ...
... CORDELIA So young , my lord , and true . only made happy * serious / weighty * ( see line 51 ) value smallest / last in precedence i.e. , pastures to have a right win bounden duty totally agrees heartless ( pun on tender : youthful ) ...
Strona 19
... Cordelia , and probably speaks to her before addressing his rival in love . So he takes initiative away from Lear , who has to watch the two young men disregard what has brought so huge a change in himself , and such a loss . Burgundy ...
... Cordelia , and probably speaks to her before addressing his rival in love . So he takes initiative away from Lear , who has to watch the two young men disregard what has brought so huge a change in himself , and such a loss . Burgundy ...
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action actor Albany answer appear arms asks attention audience authority become breaks bring character close comes Cordelia CORNWALL danger daughters death draw duke Edgar Edmund effect Enter Exit eyes face fall father fear feeling fiend follow fool fortune France further give Gloucester Gloucester's gods Goneril hand hath head hear heart hold immediately keep Kent kill king Lear Lear's leaves letter live look lord master means mind nature never night offer omits once OSWALD pain pause performance perhaps play poor probably question Regan response scene seems sense servant Shakespeare silent sister speak speech spoken stage stands storm suffering suggests talk tears tell thee thing thou thoughts tion tries true turns voice whole