King LearApplause Books, 1996 - 220 (Applause Books). These popular editions allow the reader and student to look beyond the scholarly reading text to the more sensuous, more collaborative, more malleable performance text which emerges in conjunction with the commentary and notes. Each note, each gloss, each commentary reflects the stage life of the play with constant reference to the challenge of the text in performance. Readers will not only discover an enlivened Shakespeare, they will be empowered to rehearse and direct their own productions of the imagination in the process. |
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Strona 70
... CORNWALL Peace , sirrah . ° You beastly knave , know you no reverence ? KENT Yes sir ; but anger hath a privilege . ° CORNWALL Why art thou angry ? 55 60 KENT That such a slave as this should wear a sword , Who wears no honesty . Such ...
... CORNWALL Peace , sirrah . ° You beastly knave , know you no reverence ? KENT Yes sir ; but anger hath a privilege . ° CORNWALL Why art thou angry ? 55 60 KENT That such a slave as this should wear a sword , Who wears no honesty . Such ...
Strona 73
... Cornwall has spoken of although your anger at my behavior should encourage me to be a knave recently misunderstanding in league with the king pam- pering when I was down pretended to be so manly boosted his reputation * for trying to ...
... Cornwall has spoken of although your anger at my behavior should encourage me to be a knave recently misunderstanding in league with the king pam- pering when I was down pretended to be so manly boosted his reputation * for trying to ...
Strona 123
... Cornwall moralizes ( for Edmund's sake ) as he renews his determination to eliminate Gloucester . Edmund pretends to suffer a conflict of loyalties while actually furthering his own fortunes . Cornwall has probably been roused from ...
... Cornwall moralizes ( for Edmund's sake ) as he renews his determination to eliminate Gloucester . Edmund pretends to suffer a conflict of loyalties while actually furthering his own fortunes . Cornwall has probably been roused from ...
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action actor Albany answer appear arms asks attention audience authority become breaks bring character close comes Cordelia CORNWALL danger daughters death draw duke Edgar Edmund effect Enter Exit eyes face fall father fear feeling fiend follow fool fortune France further give Gloucester Gloucester's gods Goneril hand hath head hear heart hold immediately keep Kent kill king Lear Lear's leaves letter live look lord master means mind nature never night offer omits once OSWALD pain pause performance perhaps play poor probably question Regan response scene seems sense servant Shakespeare silent sister speak speech spoken stage stands storm suffering suggests talk tears tell thee thing thou thoughts tion tries true turns voice whole