The Works of HoraceHinds & Noble, 1919 - 209 |
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Strona 18
... lyre breaks (dividit) the continuity of the song. The song divides the symphony,” i.e. you sing, and alternately play upon your amorous lyre, strains, etc. “We should, I think, construe divides with carmina, and grata with feminis, as ...
... lyre breaks (dividit) the continuity of the song. The song divides the symphony,” i.e. you sing, and alternately play upon your amorous lyre, strains, etc. “We should, I think, construe divides with carmina, and grata with feminis, as ...
Strona 32
... lyre. ODE XXXII. TO HIS LYRE. WE are called upon. If ever, O lyre, in idle amusement in the shade with thee, we have played any thing that may live for this year and many, come on, be responsive to a Latin ode, my dear lyre—first tuned ...
... lyre. ODE XXXII. TO HIS LYRE. WE are called upon. If ever, O lyre, in idle amusement in the shade with thee, we have played any thing that may live for this year and many, come on, be responsive to a Latin ode, my dear lyre—first tuned ...
Strona 312
... lyre, the peculiar and appropriated instrument of the lyric muse. And this is clearly collected, if not from express testimonies, yet from some occasional hints dropped by the ancients. For, 1. The lyre we are told (Cic. de Leg. ii. 9 ...
... lyre, the peculiar and appropriated instrument of the lyric muse. And this is clearly collected, if not from express testimonies, yet from some occasional hints dropped by the ancients. For, 1. The lyre we are told (Cic. de Leg. ii. 9 ...
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