Menagerie: The History of Exotic Animals in England

Przednia okładka
Oxford University Press, 28 sty 2016 - 400
Menagerie is the story of the panoply of exotic animals that were brought into Britain from time immemorial until the foundation of the London Zoo — a tale replete with the extravagant, the eccentric, and — on occasion — the downright bizarre. From Henry III's elephant at the Tower, to George IV's love affair with Britain's first giraffe and Lady Castlereagh's recalcitrant ostriches, Caroline Grigson's tour through the centuries amounts to the first detailed history of exotic animals in Britain. On the way we encounter a host of fascinating and outlandish creatures, including the first peacocks and popinjays, Thomas More's monkey, James I's cassowaries in St James's Park, and Lord Clive's zebra — which refused to mate with a donkey, until the donkey was painted with stripes. But this is not just the story of the animals themselves. It also the story of all those who came into contact with them: the people who owned them, the merchants who bought and sold them, the seamen who carried them to our shores, the naturalists who wrote about them, the artists who painted them, the itinerant showmen who worked with them, the collectors who collected them. And last but not least, it is about all those who simply came to see and wonder at them, from kings, queens, and nobles to ordinary men, women, and children, often impelled by no more than simple curiosity and a craving for novelty.
 

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List of Plates
The Normans to the Tudors
The Stuarts 16031688
William and Mary to George II 1688c 1760
Tyger
George IV as Regent and King c 18111830
William IV c 18301837
Conclusions
Notes
References
Picture Credits
General Index
Prawa autorskie

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Informacje o autorze (2016)

A zoologist, formerly a curator in the Museums of the Royal College of Surgeons, Caroline Grigson is now an honorary professor at the UCL Institute of Archaeology. The subjects of her numerous publications range from prehistoric animal husbandry to the study of natural history and its relationship to art in eighteenth-century London.

Informacje bibliograficzne