Shakespeare, Machiavelli, and Montaigne: Power and Subjectivity from Richard II to Hamlet

Przednia okładka
Oxford University Press, 2002 - 286
The four plays of Shakespeare's Henriad and the slightly later Hamlet brilliantly explore interconnections between political power and interior subjectivity as productions of the newly emerging constellation we call modernity. Hugh Grady argues that for Shakespeare subjectivity was a critical, negative mode of resistance to power--not, as many recent critics have asserted, its abettor.
 

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Spis treści

HISTORICISM AND THE CULTURAL
1
A SHAKESPEARIAN MACHIAVELLIAN MOMENT
26
FROM
58
MONTAIGNE SHAKESPEARE AND
109
THE REIFIED WORLDS OF 2 HENRYIVAND HENRY V
180
HAMLETAND THE TRAGEDY OF
243
BIBLIOGRAPHY
266
INDEX
283
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Informacje o autorze (2002)

Hugh Grady is a Professor of English, Arcadia University.

Informacje bibliograficzne