King Lear: The 1608 Quarto and 1623 Folio TextsPenguin, 1 lut 2000 - 320 The acclaimed Pelican Shakespeare series, now in a dazzling new series design Winner of the 2016 AIGA + Design Observer 50 Books | 50 Covers competition Gold Medal Winner of the 3x3 Illustration Annual No. 14 This edition of King Lear presents a conflated text, combining the 1608 Quarto and 1623 Folio Texts, edited with an introduction by series editor Stephen Orgel and was recently repackaged with cover art by Manuja Waldia. Waldia received a Gold Medal from the Society of Illustrators for the Pelican Shakespeare series. The legendary Pelican Shakespeare series features authoritative and meticulously researched texts paired with scholarship by renowned Shakespeareans. Each book includes an essay on the theatrical world of Shakespeare’s time, an introduction to the individual play, and a detailed note on the text used. Updated by general editors Stephen Orgel and A. R. Braunmuller, these easy-to-read editions incorporate over thirty years of Shakespeare scholarship undertaken since the original series, edited by Alfred Harbage, appeared between 1956 and 1967. With stunning new covers, definitive texts, and illuminating essays, the Pelican Shakespeare will remain a valued resource for students, teachers, and theater professionals for many years to come. For more than seventy years, Penguin has been the leading publisher of classic literature in the English-speaking world. With more than 1,700 titles, Penguin Classics represents a global bookshelf of the best works throughout history and across genres and disciplines. Readers trust the series to provide authoritative texts enhanced by introductions and notes by distinguished scholars and contemporary authors, as well as up-to-date translations by award-winning translators. |
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... thing as a professional, ongoing theatrical tradition. The answer to that economic need arrived in the late 1560s and 1570s with the creation of the so-called public or amphitheater playhouse. Recent discoveries indicate that the ...
... thing as a professional, ongoing theatrical tradition. The answer to that economic need arrived in the late 1560s and 1570s with the creation of the so-called public or amphitheater playhouse. Recent discoveries indicate that the ...
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... thing itself, the knowledge that they are virtuous. This is not a philosophy designed to produce happy endings ... thing of us forgot!” (V.3.212). Forgetting a great thing makes it a nothing. Cordelia and Lear are killed as.
... thing itself, the knowledge that they are virtuous. This is not a philosophy designed to produce happy endings ... thing of us forgot!” (V.3.212). Forgetting a great thing makes it a nothing. Cordelia and Lear are killed as.
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... thing so monstrous to dismantle 203 205 So many folds of favor. Sure her offense Must be of such unnatural degree That monsters it, or you fore-vouched affections Fall'n into taint; which to believe of her Must be a faith that reason ...
... thing so monstrous to dismantle 203 205 So many folds of favor. Sure her offense Must be of such unnatural degree That monsters it, or you fore-vouched affections Fall'n into taint; which to believe of her Must be a faith that reason ...
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... thing than a fool; and yet I would not be thee, nuncle. Thou hast pared thy wit o' both sides, and left nothing in the middle. Enter Goneril. Here comes one of the parings. LEAR How now, daughter, what makes that frontleton? Methinks ...
... thing than a fool; and yet I would not be thee, nuncle. Thou hast pared thy wit o' both sides, and left nothing in the middle. Enter Goneril. Here comes one of the parings. LEAR How now, daughter, what makes that frontleton? Methinks ...
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... thing she begs 240 A little to disquantity your train, And the remainder that shall still depend To be such men as may besort your age, That know themselves and you. 245 246 247 LEAR Darkness and devils! Saddle my horses, call my train ...
... thing she begs 240 A little to disquantity your train, And the remainder that shall still depend To be such men as may besort your age, That know themselves and you. 245 246 247 LEAR Darkness and devils! Saddle my horses, call my train ...
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ALBANY answer appear Bastard bear bring brother Burgundy comes Cordelia CORNWALL course daughter dear death disguised dost draw duke EDGAR EDMUND Enter Exeunt Exit eyes father fear fire folio follow FOOL fortune France GENTLEMAN give GLOUCESTER Gloucester’s gods gone GONERIL grace hand hast hath head hear heart heavens hold honor horse I’ll keep KENT kind king knave lady late LEAR less letter live look lord madam master means nature never night noble nuncle OSWALD performances plain play poor pray quarto reason REGAN seek Servants Shakespeare sister sound speak speech stage stand stocks sword tell texts theater thee There’s thine thing thou thou art thought traitor true turn villain wind wits