King Lear: The 1608 Quarto and 1623 Folio TextsPenguin, 1 lut 2000 - 320 The acclaimed Pelican Shakespeare series, now in a dazzling new series design Winner of the 2016 AIGA + Design Observer 50 Books | 50 Covers competition Gold Medal Winner of the 3x3 Illustration Annual No. 14 This edition of King Lear presents a conflated text, combining the 1608 Quarto and 1623 Folio Texts, edited with an introduction by series editor Stephen Orgel and was recently repackaged with cover art by Manuja Waldia. Waldia received a Gold Medal from the Society of Illustrators for the Pelican Shakespeare series. The legendary Pelican Shakespeare series features authoritative and meticulously researched texts paired with scholarship by renowned Shakespeareans. Each book includes an essay on the theatrical world of Shakespeare’s time, an introduction to the individual play, and a detailed note on the text used. Updated by general editors Stephen Orgel and A. R. Braunmuller, these easy-to-read editions incorporate over thirty years of Shakespeare scholarship undertaken since the original series, edited by Alfred Harbage, appeared between 1956 and 1967. With stunning new covers, definitive texts, and illuminating essays, the Pelican Shakespeare will remain a valued resource for students, teachers, and theater professionals for many years to come. For more than seventy years, Penguin has been the leading publisher of classic literature in the English-speaking world. With more than 1,700 titles, Penguin Classics represents a global bookshelf of the best works throughout history and across genres and disciplines. Readers trust the series to provide authoritative texts enhanced by introductions and notes by distinguished scholars and contemporary authors, as well as up-to-date translations by award-winning translators. |
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... had rudimentary but effective ways of pretending to behead or hang a person. Supernumeraries (stagehands or actors not needed in a particular scene) could make thunder sounds (by shaking a metal sheet or rolling an iron.
... had rudimentary but effective ways of pretending to behead or hang a person. Supernumeraries (stagehands or actors not needed in a particular scene) could make thunder sounds (by shaking a metal sheet or rolling an iron.
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The 1608 Quarto and 1623 Folio Texts William Shakespeare Stephen Orgel. sounds (by shaking a metal sheet or rolling an iron ball ... sound effects. And the music of viols, cornets, oboes, and recorders was a regular feature of theatrical ...
The 1608 Quarto and 1623 Folio Texts William Shakespeare Stephen Orgel. sounds (by shaking a metal sheet or rolling an iron ball ... sound effects. And the music of viols, cornets, oboes, and recorders was a regular feature of theatrical ...
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... Sound a sennet. Enter one bearing a coronet, then Lear, then the Dukes of Albany and Cornwall; next Goneril, Regan, Cordelia, with Followers. LEAR Attend my lords of France and Burgundy, Gloucester. GLOUCESTER I shall, my liege. Exit ...
... Sound a sennet. Enter one bearing a coronet, then Lear, then the Dukes of Albany and Cornwall; next Goneril, Regan, Cordelia, with Followers. LEAR Attend my lords of France and Burgundy, Gloucester. GLOUCESTER I shall, my liege. Exit ...
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... sound Reverbs no hollowness. LEAR Kent, on thy life, no more. KENT My life I never held but as a pawn To wage against thy enemies, nor fear to lose it, Thy safety being the motive. 137 139 140 142 144 145 146 LEAR Out of my sight! KENT ...
... sound Reverbs no hollowness. LEAR Kent, on thy life, no more. KENT My life I never held but as a pawn To wage against thy enemies, nor fear to lose it, Thy safety being the motive. 137 139 140 142 144 145 146 LEAR Out of my sight! KENT ...
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... is bound. We are not ourselves When nature, being oppressed, commands the mind To suffer with the body. I'll forbear, And am fallen out with my more headier will, 86 87 90 To take the indisposed and sickly fit For the sound.
... is bound. We are not ourselves When nature, being oppressed, commands the mind To suffer with the body. I'll forbear, And am fallen out with my more headier will, 86 87 90 To take the indisposed and sickly fit For the sound.
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ALBANY answer appear Bastard bear bring brother Burgundy comes Cordelia CORNWALL course daughter dear death disguised dost draw duke EDGAR EDMUND Enter Exeunt Exit eyes father fear fire folio follow FOOL fortune France GENTLEMAN give GLOUCESTER Gloucester’s gods gone GONERIL grace hand hast hath head hear heart heavens hold honor horse I’ll keep KENT kind king knave lady late LEAR less letter live look lord madam master means nature never night noble nuncle OSWALD performances plain play poor pray quarto reason REGAN seek Servants Shakespeare sister sound speak speech stage stand stocks sword tell texts theater thee There’s thine thing thou thou art thought traitor true turn villain wind wits