King Lear: The 1608 Quarto and 1623 Folio TextsPenguin, 1 lut 2000 - 320 The acclaimed Pelican Shakespeare series, now in a dazzling new series design Winner of the 2016 AIGA + Design Observer 50 Books | 50 Covers competition Gold Medal Winner of the 3x3 Illustration Annual No. 14 This edition of King Lear presents a conflated text, combining the 1608 Quarto and 1623 Folio Texts, edited with an introduction by series editor Stephen Orgel and was recently repackaged with cover art by Manuja Waldia. Waldia received a Gold Medal from the Society of Illustrators for the Pelican Shakespeare series. The legendary Pelican Shakespeare series features authoritative and meticulously researched texts paired with scholarship by renowned Shakespeareans. Each book includes an essay on the theatrical world of Shakespeare’s time, an introduction to the individual play, and a detailed note on the text used. Updated by general editors Stephen Orgel and A. R. Braunmuller, these easy-to-read editions incorporate over thirty years of Shakespeare scholarship undertaken since the original series, edited by Alfred Harbage, appeared between 1956 and 1967. With stunning new covers, definitive texts, and illuminating essays, the Pelican Shakespeare will remain a valued resource for students, teachers, and theater professionals for many years to come. For more than seventy years, Penguin has been the leading publisher of classic literature in the English-speaking world. With more than 1,700 titles, Penguin Classics represents a global bookshelf of the best works throughout history and across genres and disciplines. Readers trust the series to provide authoritative texts enhanced by introductions and notes by distinguished scholars and contemporary authors, as well as up-to-date translations by award-winning translators. |
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... hand. V.3 Enter Edmund, with Lear and Cordelia prisoners [, a Captain, and Soldiers]. The Tragedy of King Lear Names of the Actors I.1 Enter Kent, Gloucester, and Edmund. I.2 Enter Bastard [Edmund]. I.3 Enter Goneril and Steward [Oswald] ...
... hand. V.3 Enter Edmund, with Lear and Cordelia prisoners [, a Captain, and Soldiers]. The Tragedy of King Lear Names of the Actors I.1 Enter Kent, Gloucester, and Edmund. I.2 Enter Bastard [Edmund]. I.3 Enter Goneril and Steward [Oswald] ...
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... hand, were entirely composed of boys aged about eight to sixteen, who were, or could pretend to be, candidates for singers in a church or a royal boys' choir. (Until 1660, professional theatrical companies included no women.) The ...
... hand, were entirely composed of boys aged about eight to sixteen, who were, or could pretend to be, candidates for singers in a church or a royal boys' choir. (Until 1660, professional theatrical companies included no women.) The ...
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... hand may (and even this is much disputed) exist: a few pages of a play called Sir Thomas More, which apparently was never performed. What we do have, as later readers, performers, scholars, students, are printed texts. The earliest of ...
... hand may (and even this is much disputed) exist: a few pages of a play called Sir Thomas More, which apparently was never performed. What we do have, as later readers, performers, scholars, students, are printed texts. The earliest of ...
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... ?” Since the eighteenth century, the standard modern text has read: What's Montague? It is nor hand, nor foot, Nor arm, nor face, nor any other part Belonging to a man. O be some other name! What's in a name? That which we call a rose.
... ?” Since the eighteenth century, the standard modern text has read: What's Montague? It is nor hand, nor foot, Nor arm, nor face, nor any other part Belonging to a man. O be some other name! What's in a name? That which we call a rose.
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... hand, and that the folio represents a later performing version of the play. The implication is that the quarto represents the play before it was performed, the play as it went to the acting company to be transcribed and turned into a ...
... hand, and that the folio represents a later performing version of the play. The implication is that the quarto represents the play before it was performed, the play as it went to the acting company to be transcribed and turned into a ...
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ALBANY answer appear Bastard bear bring brother Burgundy comes Cordelia CORNWALL course daughter dear death disguised dost draw duke EDGAR EDMUND Enter Exeunt Exit eyes father fear fire folio follow FOOL fortune France GENTLEMAN give GLOUCESTER Gloucester’s gods gone GONERIL grace hand hast hath head hear heart heavens hold honor horse I’ll keep KENT kind king knave lady late LEAR less letter live look lord madam master means nature never night noble nuncle OSWALD performances plain play poor pray quarto reason REGAN seek Servants Shakespeare sister sound speak speech stage stand stocks sword tell texts theater thee There’s thine thing thou thou art thought traitor true turn villain wind wits