King Lear: The 1608 Quarto and 1623 Folio TextsPenguin, 1 lut 2000 - 320 The acclaimed Pelican Shakespeare series, now in a dazzling new series design Winner of the 2016 AIGA + Design Observer 50 Books | 50 Covers competition Gold Medal Winner of the 3x3 Illustration Annual No. 14 This edition of King Lear presents a conflated text, combining the 1608 Quarto and 1623 Folio Texts, edited with an introduction by series editor Stephen Orgel and was recently repackaged with cover art by Manuja Waldia. Waldia received a Gold Medal from the Society of Illustrators for the Pelican Shakespeare series. The legendary Pelican Shakespeare series features authoritative and meticulously researched texts paired with scholarship by renowned Shakespeareans. Each book includes an essay on the theatrical world of Shakespeare’s time, an introduction to the individual play, and a detailed note on the text used. Updated by general editors Stephen Orgel and A. R. Braunmuller, these easy-to-read editions incorporate over thirty years of Shakespeare scholarship undertaken since the original series, edited by Alfred Harbage, appeared between 1956 and 1967. With stunning new covers, definitive texts, and illuminating essays, the Pelican Shakespeare will remain a valued resource for students, teachers, and theater professionals for many years to come. For more than seventy years, Penguin has been the leading publisher of classic literature in the English-speaking world. With more than 1,700 titles, Penguin Classics represents a global bookshelf of the best works throughout history and across genres and disciplines. Readers trust the series to provide authoritative texts enhanced by introductions and notes by distinguished scholars and contemporary authors, as well as up-to-date translations by award-winning translators. |
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... follows that in Shakespeare's theater the playwright typically had no say either in how his play was performed or in the disposition of his text – he was an employee of the company. The authoritative figures in the theatrical enterprise ...
... follows that in Shakespeare's theater the playwright typically had no say either in how his play was performed or in the disposition of his text – he was an employee of the company. The authoritative figures in the theatrical enterprise ...
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... numbers corresponding to those of the folio text have been supplied for the quarto. A summary of the major differences between the two versions follows the general Introduction. Henry Irving in one of his most spectacular productions, at.
... numbers corresponding to those of the folio text have been supplied for the quarto. A summary of the major differences between the two versions follows the general Introduction. Henry Irving in one of his most spectacular productions, at.
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... follows from a prosperous marriage, not what brings it about. Lear dividing the kingdom among his three daughters, moreover, is following the dictates of English law: primogeniture applied exclusively to male heirs. If there were only ...
... follows from a prosperous marriage, not what brings it about. Lear dividing the kingdom among his three daughters, moreover, is following the dictates of English law: primogeniture applied exclusively to male heirs. If there were only ...
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... follows: M. William Shak-speare: his true chronicle history of the life and death of King Lear and his three daughters. With the unfortunate life of Edgar, son and heir to the Earl of Gloucester, and his sullen and assumed humor of Tom ...
... follows: M. William Shak-speare: his true chronicle history of the life and death of King Lear and his three daughters. With the unfortunate life of Edgar, son and heir to the Earl of Gloucester, and his sullen and assumed humor of Tom ...
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... follows the detailed editorial analysis of Peter Blayney. Where Blayney's proposed emendations have been followed, they are indicated below. The following is a list of departures from the copy texts of this edition. The adopted reading ...
... follows the detailed editorial analysis of Peter Blayney. Where Blayney's proposed emendations have been followed, they are indicated below. The following is a list of departures from the copy texts of this edition. The adopted reading ...
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ALBANY answer appear Bastard bear bring brother Burgundy comes Cordelia CORNWALL course daughter dear death disguised dost draw duke EDGAR EDMUND Enter Exeunt Exit eyes father fear fire folio follow FOOL fortune France GENTLEMAN give GLOUCESTER Gloucester’s gods gone GONERIL grace hand hast hath head hear heart heavens hold honor horse I’ll keep KENT kind king knave lady late LEAR less letter live look lord madam master means nature never night noble nuncle OSWALD performances plain play poor pray quarto reason REGAN seek Servants Shakespeare sister sound speak speech stage stand stocks sword tell texts theater thee There’s thine thing thou thou art thought traitor true turn villain wind wits