King Lear: The 1608 Quarto and 1623 Folio TextsPenguin, 1 lut 2000 - 320 The acclaimed Pelican Shakespeare series, now in a dazzling new series design Winner of the 2016 AIGA + Design Observer 50 Books | 50 Covers competition Gold Medal Winner of the 3x3 Illustration Annual No. 14 This edition of King Lear presents a conflated text, combining the 1608 Quarto and 1623 Folio Texts, edited with an introduction by series editor Stephen Orgel and was recently repackaged with cover art by Manuja Waldia. Waldia received a Gold Medal from the Society of Illustrators for the Pelican Shakespeare series. The legendary Pelican Shakespeare series features authoritative and meticulously researched texts paired with scholarship by renowned Shakespeareans. Each book includes an essay on the theatrical world of Shakespeare’s time, an introduction to the individual play, and a detailed note on the text used. Updated by general editors Stephen Orgel and A. R. Braunmuller, these easy-to-read editions incorporate over thirty years of Shakespeare scholarship undertaken since the original series, edited by Alfred Harbage, appeared between 1956 and 1967. With stunning new covers, definitive texts, and illuminating essays, the Pelican Shakespeare will remain a valued resource for students, teachers, and theater professionals for many years to come. For more than seventy years, Penguin has been the leading publisher of classic literature in the English-speaking world. With more than 1,700 titles, Penguin Classics represents a global bookshelf of the best works throughout history and across genres and disciplines. Readers trust the series to provide authoritative texts enhanced by introductions and notes by distinguished scholars and contemporary authors, as well as up-to-date translations by award-winning translators. |
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... Kent [disguised]. I.5 Enter Lear[, Kent disguised, and Fool]. II.1 Enter Bastard [Edmund] and Curan, meeting. II.2 Enter Kent [disguised] and Steward [Oswald]. II.3 Enter Edgar. II.4 Enter King [Lear, Fool, and Knight. Kent still in the ...
... Kent [disguised]. I.5 Enter Lear[, Kent disguised, and Fool]. II.1 Enter Bastard [Edmund] and Curan, meeting. II.2 Enter Kent [disguised] and Steward [Oswald]. II.3 Enter Edgar. II.4 Enter King [Lear, Fool, and Knight. Kent still in the ...
Strona
... Kent [disguised], and Fool. III.5 Enter Cornwall and Bastard [Edmund]. III.6 Enter Gloucester and Lear, Kent [disguised], Fool, and [Edgar as] Tom. III.7 Enter Cornwall and Regan, and Goneril, and Bastard [Edmund, and Servants]. IV.1 ...
... Kent [disguised], and Fool. III.5 Enter Cornwall and Bastard [Edmund]. III.6 Enter Gloucester and Lear, Kent [disguised], Fool, and [Edgar as] Tom. III.7 Enter Cornwall and Regan, and Goneril, and Bastard [Edmund, and Servants]. IV.1 ...
Strona
... [Kent still in the stocks.] III.1 Storm still. Enter Kent [disguised] and a Gentleman severally. III.2 Storm still. Enter Lear and Fool. III.3 Enter Gloucester and Edmund. III.4 Enter Lear, Kent [disguised], and Fool. III.5 Enter ...
... [Kent still in the stocks.] III.1 Storm still. Enter Kent [disguised] and a Gentleman severally. III.2 Storm still. Enter Lear and Fool. III.3 Enter Gloucester and Edmund. III.4 Enter Lear, Kent [disguised], and Fool. III.5 Enter ...
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... Kent who initially objects to Lear's bad judgment, only the villains assume that it renders him unfit to rule. In fact, elsewhere in the play Lear is referred to not as blind, foolish, irascible, self-centered, tyrannical, but as kind – ...
... Kent who initially objects to Lear's bad judgment, only the villains assume that it renders him unfit to rule. In fact, elsewhere in the play Lear is referred to not as blind, foolish, irascible, self-centered, tyrannical, but as kind – ...
Strona
... Kent and Edgar, of having murdered her. Good will counts for nothing, nothing redeems sorrows; Kent says it: “All's cheerless, dark, and deadly” (267). The final realization, the final truth of plain-speaking, is five nevers: Thou'lt ...
... Kent and Edgar, of having murdered her. Good will counts for nothing, nothing redeems sorrows; Kent says it: “All's cheerless, dark, and deadly” (267). The final realization, the final truth of plain-speaking, is five nevers: Thou'lt ...
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ALBANY answer appear Bastard bear bring brother Burgundy comes Cordelia CORNWALL course daughter dear death disguised dost draw duke EDGAR EDMUND Enter Exeunt Exit eyes father fear fire folio follow FOOL fortune France GENTLEMAN give GLOUCESTER Gloucester’s gods gone GONERIL grace hand hast hath head hear heart heavens hold honor horse I’ll keep KENT kind king knave lady late LEAR less letter live look lord madam master means nature never night noble nuncle OSWALD performances plain play poor pray quarto reason REGAN seek Servants Shakespeare sister sound speak speech stage stand stocks sword tell texts theater thee There’s thine thing thou thou art thought traitor true turn villain wind wits