Hitomaro: Poet As God
BRILL, 2009 - 223
Kakinomoto no Hitomaro (fl. ca. 690) is generally regarded as one of the pre-eminent poets of premodern Japan. While most existing scholarship on Hitomaro is concerned with his poetry, this study foregrounds the process of his reception and canonization as a deity of Japanese poetry. Building on new interest in issues of canon formation in premodern Japanese literature, this book traces the reception history of Hitomaro from its earliest beginnings to the early modern period, documenting and analysing the phases of the process through which Hitomaro was transformed from an admired poet to a poetic deity. The result is a new perspective on a familiar literary figure through his placement within the broader context of Japanese poetic culture.
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Akashi Bay poem Akisue ancestor anonymous appears Arai Ason Hitomaro attributed to Hitomaro bodhisattva buddhas Buddhist bungaku China Chinese chōka Chūsei kokinshū chūshakusho commentaries compilation composed context court court-poetic deiﬁcation described divine eigu ceremony Emperor Mommu ﬁgure ﬁrst Hitomaro eigu Fujiwara Gyokuden jinpi headnote Heian period hijiri Hito Hitomaro and Akahito Hitomaro eigu Hitomaro poems Hitomaro ron Hitomaro’s canonization Hitomaro’s death honji-suijaku honobono identiﬁed imperial anthology Inaoka included inﬂuence Ise monogatari Itō Iwami banka Iwami sōmonka Japanese poetry Kakinomoto no Ason Kakinomoto no Hitomaro Katagiri Kintō kokin denju Kokinshū kokinshū chūshakusho kaidai Kokinshū Kana Preface Kokinwakashū koten literary Man’yōshū Man’yōshū poems Nara Narihira Nihon notes ofﬁcial original Ōtomo no Yakamochi poetic deity poetic houses Poetic Immortals poets Prince Shōtoku province reception reﬂected Rokujō house Sakurai Sasaki sekiten shodo Shōtetsu shrine shū Shūishū signiﬁcant speciﬁc Sumiyoshi deity Teika Tenjin texts transmission travel poems Tsurayuki’s volume waka worship Yamabe no Akahito Yamato