The English Reader: Or, Pieces in Prose and Verses; Selected from the Best WritersHolbrook & Fessenden, 1827 - 264 |
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Strona 3
... voice , but contain sentences and members of sentences , which are di- versified , proportioned , and pointed with accuracy . Exercises of this nature are , it is presumed , well calculated to teach youth to read with propriety and ...
... voice , but contain sentences and members of sentences , which are di- versified , proportioned , and pointed with accuracy . Exercises of this nature are , it is presumed , well calculated to teach youth to read with propriety and ...
Strona 5
... VOICE ; DISTINCTNESS ; SLOWNESS ; PROPRIETY OF PRO- NUNCIATION ; EMPHASIS ; TONES ; PAUSES ; and MODE OF READing verse . SECTION I. Proper Loudness of Voice . THE first attention of every person who reads to others , doubtless , must be ...
... VOICE ; DISTINCTNESS ; SLOWNESS ; PROPRIETY OF PRO- NUNCIATION ; EMPHASIS ; TONES ; PAUSES ; and MODE OF READing verse . SECTION I. Proper Loudness of Voice . THE first attention of every person who reads to others , doubtless , must be ...
Strona 6
... voice before we have done . We shall fatigue ourselves , and read with pain ; and whenever a person speaks with pain to himself , he is always neard with pain by his audience . Let us therefore give the voice full strength and swell of ...
... voice before we have done . We shall fatigue ourselves , and read with pain ; and whenever a person speaks with pain to himself , he is always neard with pain by his audience . Let us therefore give the voice full strength and swell of ...
Strona 7
... voice , by the pauses and rests which it allows the reader more easily to make ; and it enables the reader to swell all his sounds , both with more force and more harmony . SECTION IV . Propriety of Pronunciation . AFTER the fundamental ...
... voice , by the pauses and rests which it allows the reader more easily to make ; and it enables the reader to swell all his sounds , both with more force and more harmony . SECTION IV . Propriety of Pronunciation . AFTER the fundamental ...
Strona 8
... voice , which is perceived in utter- ing a sentence , and which , in its nature , is perfectly distinct from emphasis , and the tones of emotion and passion . The young reader should be careful to render his modulation correct and easy ...
... voice , which is perceived in utter- ing a sentence , and which , in its nature , is perfectly distinct from emphasis , and the tones of emotion and passion . The young reader should be careful to render his modulation correct and easy ...
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affections Antiparos appear Archbishop of Cambray åte attention balance of happiness beauty behold BLAIR blessing Caius Verres cerning character comfort death desire distress divine dread earth emphasis enjoy enjoyments envy errours evil father feel folly fortune gåte gentle give ground Haman happiness Hazael heart heaven Heraclitus honour hope human inflection Jugurtha kind king labour live look Lord lord Guilford Dudley mankind manner means ment Micipsa midst mind misery mount Etna nature ness never Numidia Ortogrul ourselves pain passions pause peace perfection person pleasure possession present prince proper publick Pythias reading reason religion render rest rich rise SECTION sense sentence sentiments shining Sicily sorrow soul sound spirit suffer superiour temper thee thing thou thought tion tỷ vanity verse vice violent virtue voice wisdom wise words youth